Since the 1980s, Melanie Smith (United Kingdom, 1965) has addressed a number of interrelated themes encompassing the effects and the detritus of industrialization, the economy and the aesthetics of abstraction, urbanization, colonialism and, more recently, nature and entropy, through a blurring and...
Bibliographic Details
| Corporate Authors: |
Museo Amparo (Puebla, Mexico)
(http://id.loc.gov/vocabulary/relators/his, http://id.loc.gov/vocabulary/relators/isb),
Museu d'Art Contemporani (Barcelona, Spain)
(http://id.loc.gov/vocabulary/relators/his),
Universidad Nacional Autónoma de México Museo Universitario Arte Contemporáneo
(http://id.loc.gov/vocabulary/relators/his, http://id.loc.gov/vocabulary/relators/isb) |
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| Other Authors: |
Barrios, José Luis
(http://id.loc.gov/vocabulary/relators/wst),
Barson, Tanya
(http://id.loc.gov/vocabulary/relators/orm),
Labastida, Alejandra
(http://id.loc.gov/vocabulary/relators/orm, http://id.loc.gov/vocabulary/relators/wst),
Medina, Cuauhtémoc
(http://id.loc.gov/vocabulary/relators/wst),
Smith, Melanie, 1965- |
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| Format: | Book
|
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| Language: | Spanish
English |
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| Published: |
Ciudad de México : Puebla, Pue. México :
MUAC, Museo Universitario Arte Contemporáneo, UNAM ; Museo Amparo,
2019
|
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| Edition: | Primera edición |
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| Series: | Folio MUAC ;
078
Folio MUAC
078
|
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| Subjects: |
|
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