Rosângela Rennó
![Rosângela Rennó](https://upload.wikimedia.org/wikipedia/commons/4/4b/Ros%C3%A2ngela_Renn%C3%B3_portrait.jpg)
Rennó aims to generate interest in what she calls “the little stories of the downtrodden and the vanquished” (Rennó, 2004). These stories include the “inglorious” episodes of history, the shameful events of the past that successive Brazilian political regimes would like to gloss over, which she says can be found or uncovered in the “lowest categories of the image”: vernacular photography, identification shots, portraits. Rennó does not take photographs herself instead she recycles existing photographs of this kind.Rennó's decision to recycle photographs is influenced by the ideas of Czech photo-theorist Vilém Flusser who lived for many years in Brazil as well as the German photographer and theorist, Andreas Muller Pohle. In particular, Muller Pohl's idea of ‘an ecology of images’ informs Renno's practice of conserving and recycling images that already exist. Provided by Wikipedia
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14by Rennó, Rosângela, 1962-
Published 2015
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15by Rennó, Rosângela, 1962-
Published 2003
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17by Rennó, Rosângela, 1962-
Published 2012
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18by Rennó, Rosângela, 1962-
Published 2006
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19by Mejía Prieto, JorgeOther Authors: “...Rennó, Rosângela, 1962-...”
Published 1997
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20Published 2006Other Authors: “...Rennó, Rosângela, 1962-...”
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