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|a Germania remembered 1500-2009 :
|b commemorating and inventing a Germanic past /
|c edited by Christina Lee and Nicola McLelland
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|a Tempe, Arizona :
|b ACMRS (Arizona Center for Medieval and Renaissance Studies),
|c 2012
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| 300 |
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|a xxxvii, 415 pages :
|b illustrations ;
|c 24 cm
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|a Medieval & Renaissance Texts & Studies (Series)
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| 490 |
1 |
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|a Medieval and Renaissance texts and studies ;
|v volume 425
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| 504 |
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|a Includes bibliographical references (pages [351]-394) and index
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| 504 |
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|a Includes bibliographical references and index
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| 505 |
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|a Conrad Celtis (1459-1508), the pride of German humanists / John L. Flood -- 'Knowing no other paintings than their shields': the Germanic origins of art in the seventeenth century / Thijs Weststeijn -- Germanic virtues in linguistic discourse in Germany (1500-1945) / Nicola McLelland -- A useful great-grandmother: edda receptions in post-medieval Germany / Christina Lee -- Germania in England: functions of the Germanic in English identity constructions and British historical thinking / Maike Oergel -- 'Not a foreign goddess': Germania, the Niederwald monument, and discourses of gender and nationalism / Geraldine Horan -- Consecrated groves: British India and the forests of Germania / Ananya Jahanara Kabir -- The two faces of a national hero: Ulrich con Hutten's Arminius (1515/1529) and Heinrich von Kleist's Herrmann (1808) / Rachel MagShamhráin -- Ironic mythopoetics of absolute sovereignty in Heinrich von Kleist's Herrmannsschlacht (1808) / Tomislav Zelić -- Imagining Thusnelda and Thumelicus: Carl Wilhelm Goettling and Friedrich Halm's Der Fechter von Ravenna / Judith Beniston -- Urklänge: the search for the origins of German music (1910-1950) / Alexander Rehding -- From Hávamál to racial hygiene: Guido List's Das Geheimnis der Runen, "the secret of the runes" (1908) / Martin Findell -- Germania on stage: Nazi thing theatre / Anselm Heinrich -- Anselm Kiefer, die Hermannsschlacht, and the battle of modernism / Martin Brady -- Leaving the forest: 'Hermann the German' as cultural representation from nationalism to post-modern consumerism / Magnus Brechtken -- The global Westphalian: Arminius/Hermann as a post-national identification figure / Andreas Musolff
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| 505 |
0 |
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|a Conrad Celtis (1459-1508), the pride of German humanists / John L. Flood -- 'Knowing no other paintings than their shields': the Germanic origins of art in the seventeenth century / Thijs Weststeijn -- Germanic virtues in linguistic discourse in Germany (1500-1945) / Nicola McLelland -- A useful great-grandmother: edda receptions in post-medieval Germany / Christina Lee -- Germania in England: functions of the Germanic in English identity constructions and British historical thinking / Maike Oergel -- 'Not a foreign goddess': Germania, the Niederwald monument, and discourses of gender and nationalism / Geraldine Horan -- Consecrated groves: British India and the forests of Germania / Ananya Jahanara Kabir -- The two faces of a national hero: Ulrich con Hutten's Arminius (1515/1529) and Heinrich von Kleist's Herrmann (1808) / Rachel MagShamhráin -- Ironic mythopoetics of absolute sovereignty in Heinrich von Kleist's Herrmannsschlacht (1808) / Tomislav Zelić -- Imagining Thusnelda and Thumelicus: Carl Wilhelm Goettling and Friedrich Halm's Der Fechter von Ravenna / Judith Beniston -- Urklänge: the search for the origins of German music (1910-1950) / Alexander Rehding -- From Hávamál to racial hygiene: Guido List's Das Geheimnis der Runen, "the secret of the runes" (1908) / Martin Findell -- Germania on stage: Nazi thing theatre / Anselm Heinrich -- Anselm Kiefer, die Hermannsschlacht, and the battle of modernism / Martin Brady -- Leaving the forest: 'Hermann the German' as cultural representation from nationalism to post-modern consumerism / Magnus Brechtken -- The global Westphalian: Arminius/Hermann as a post-national identification figure / Andreas Musolff
|
| 505 |
0 |
0 |
|t Siegfried and Arminius: Scenes from a Marriage /
|r Roberta Frank --
|t Early Modern Germania and Beyond --
|t Conrad Celtis (1459-1508), the Pride of German Humanists /
|r John L. Flood --
|t `Knowing No Other Paintings than Their Shields': The Germanic Origins of Art in the Seventeenth Century /
|r Thijs Weststeijn --
|t Germanic Virtues in Linguistic Discourse in Germany (1500-1945) /
|r Nicola McLelland --
|t Nineteenth Century --
|t Useful Great-grandmother: Edda Receptions in Post-medieval Germany /
|r Christina Lee --
|t Germania in England: Functions of the Germanic in English Identity Constructions and British Historical Thinking /
|r Maike Oergel --
|t `Not a foreign goddess': Germania, the Niederwald Monument, and Discourses of Gender and Nationalism /
|r Geraldine Horan --
|t Consecrated Groves: British India and the Forests of Germania /
|r Ananya Jahanara Kabir --
|t Germania in 19th-century Theatre --
|t Two Faces of a National Hero: Ulrich von Hutten's Arminius (1515/1529) and Heinrich von Kleist's Herrmann (1808) /
|r Rachel MagShamhrain --
|t Ironic Mythopoetics of Absolute Sovereignity in Heinrich von Kleist's Herrmannsschlacht (1808) /
|r Tomislav Zelic --
|t Imagining Thusnelda and Thumelicus: Carl Wilhelm Goettling and Friedrich Halm's Der Fechter von Ravenna /
|r Judith Beniston --
|t Germania in the First Half of the 20th Century --
|t Urklange: The Search for the Origins of German Music (1910-1950) /
|r Alexander Rehding --
|t From Havamal to Racial Hygiene: Guido List's Das Geheimnis der Runen, "The Secret of the Runes" (1908) /
|r Martin Findell --
|t Germania on Stage: Nazi Thing Theatre /
|r Anselm Heinrich --
|t Hermann Beyond the Forest (1950-2009 and Beyond) --
|t Anselm Kiefer, Die Hermannsschlacht, and the Battle of Modernism /
|r Martin Brady --
|t Leaving the Forest: `Hermann the German' as Cultural Representation from Nationalism to Post-modern Consumerism /
|r Magnus Brechtken --
|t Global Westphalian: Arminius/Hennann as a Post-national Identification Figure /
|r Andreas Musolff
|
| 583 |
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|a Lee, Christina,
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|a McLelland, Nicola,
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