The principles and practice of art
A treatment of the philosophical theory of beauty and of pictorial devices more than the imitation of objects. Harding advocates the kind of imitation that is mental rather than mechanical, subjective rather than objective, and upholds his principles of art as deducible from truths existing in natur...
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| Format: | Book |
| Language: | English |
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London :
Chapman and Hall, 186, Strand,
1845
London : Chapman and Hall, 1845 London : Chapman and Hill, 1845 London, 1845 |
| Subjects: |
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| 100 | 1 | |a Harding, James Duffield, |d 1798-1863 |0 http://viaf.org/viaf/sourceID/LC|n83065039 | |
| 100 | 1 | |a Harding, James Duffield, |d 1798-1863 | |
| 100 | 1 | |a Harding, James Duffield, |d 1798-1863, |e ill | |
| 245 | 1 | 4 | |a The principles and practice of art |c By J. D. Harding. With illustrations drawn and engraved by the author. |
| 246 | 1 | 4 | |a Harding's principles and practice of art |
| 260 | |a London : |b Chapman and Hall, 186, Strand, |c 1845 | ||
| 260 | |a London : |b Chapman and Hall, |c 1845 | ||
| 260 | |a London : |b Chapman and Hill, |c 1845 | ||
| 260 | |a London, |b Chapman and Hill, |c 1845 | ||
| 300 | |a [2], vii, [1], 156 p., 24 leaves of plates : |b ill. ; |c 39 cm | ||
| 300 | |a vii, 156 p., 24 leaves of plates : |b ills. (some col.) ; |c 38 cm | ||
| 300 | |a vii, [1], 156 p |b illus. (partly col.)24 pl (incl. front.) |c 38 cm. | ||
| 300 | |a vii, [1], 156 p. : |b illus. (partly col.)24 pl (incl. front.) ; |c 38 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 340 | |m folio |2 rdabf | ||
| 500 | |a Errata slip inserted | ||
| 500 | |a Printed by Bradburg and Evans, Printers, Whitefriars, London | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 500 | |a "In the proof copies of this work, there are two plates of each of the following plate numbers: 1, 10, 12, 19, and 23..."--To the reader, slip tipped in at front | ||
| 510 | 4 | |a Bicknell, P. Gilpin to Ruskin, |c p. 114 | |
| 510 | 4 | |a NSTC, |c 2H7552 | |
| 520 | |a A treatment of the philosophical theory of beauty and of pictorial devices more than the imitation of objects. Harding advocates the kind of imitation that is mental rather than mechanical, subjective rather than objective, and upholds his principles of art as deducible from truths existing in nature. Harding's theory of beauty, like Hogarth's, is based upon variety, which he regards as a primary characteristic of nature. The book is profusely illustrated with original examples executed by the author, in various styles of engraving and lithography | ||
| 590 | |a Athenaeum copy: T.P. Chandler library | ||
| 590 | |a BAC: British Art Center copy 1 is a proof copy, with the 5 extra plates. Bound in half green morocco and green watered silk covered boards | ||
| 590 | |a BAC: British Art Center copy 3 inscribed: G. M. Rolls, The Hendre. Bound in green half morocco and green cloth | ||
| 590 | |a BAC: Copy 2 is bound in blind- and gold-stamped maroon publisher's cloth. Cover title: Harding's Principles and practice of art | ||
| 650 | 0 | |a Art |x Philosophy | |
| 650 | 0 | |a Art |x Study and teaching | |
| 650 | 0 | |a Art | |
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| 650 | 0 | |a Drawing |x Study and teaching | |
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