Medieval literary voices : embodiment, materiality and performance /

Medieval literary voices : embodiment, materiality and performance /

"Voice is a fleeting physical phenomenon that leaves behind traces of its existence. Medieval literary voices offers a wide-reaching approach to the concept of literary voices, both the vanished authorial ones and the implicit textual ones. Its impressive lineup deepens our understanding of how...

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Bibliographic Details
Other Authors: Sif Ríkharðsdóttir (Editor, http://id.loc.gov/vocabulary/relators/edt), Sif Ríkharðsdóttir (Editor), D'Arcens, Louise (Editor, http://id.loc.gov/vocabulary/relators/edt)
Format: Book
Language:English
Published: Manchester : Manchester University Press, 2022
Series:Manchester medieval literature and culture
Manchester medieval literature and culture
Subjects:
Literature, Medieval > History and criticism
Point of view (Literature)
Voice in literature
Littérature médiévale > Histoire et critique
Point de vue (Littérature)
Literature, Medieval
Criticism, interpretation, etc
Critiques littéraires
Literary criticism
Table of Contents:
  • Machine generated contents note: 1 Articulate voices / Ruth Evans
  • pt. I Narrative embodiment and voicing
  • 2. Voice of authority: free indirect discourse in Chaucer's General Prologue / Helen Fulton
  • 3. Speaking in person / Fiona Somerset
  • pt. II Authoritative, ethical and orthodox voices
  • 4. The body speaks in The Franklin's Tale / Mishtooni Bose
  • 5. The sensology of the moral conscience: William Peraldus's ethical voices / Richard Newhauser
  • 6. Langland parrhesiastes / Ian Cornelius
  • pt. III Materiality and textual voices
  • 7. Margery Kempe, the leprous woman and the voice of St Paul / Lawrence Warner
  • 8. Listening for the scribe: punctuation and the voicing of late medieval devotional literature / Sarah Noonan
  • 9. Parrot poet: Humphrey Newton and Bodleian Library, MS Lat. Misc. c. 66 / Wendy Scase
  • pt. IV Performative voices and medieval aurality
  • 10. Voice, materiality and history in St Erkenwald and Egils saga Skallagrimssonar / Sif Rikharosdottir
  • 11. Embodying the Mandevillean voice / Sarah Salih
  • 12. Reconstructing Christine de Pizan's musical voice in the twenty-first century / Louise D'Arcens.
  • Machine generated contents note: 1 Articulate voices / Ruth Evans
  • pt. I Narrative embodiment and voicing
  • 2. Voice of authority: free indirect discourse in Chaucer's General Prologue / Helen Fulton
  • 3. Speaking in person / Fiona Somerset
  • pt. II Authoritative, ethical and orthodox voices
  • 4. The body speaks in The Franklin's Tale / Mishtooni Bose
  • 5. The sensology of the moral conscience: William Peraldus's ethical voices / Richard Newhauser
  • 6. Langland parrhesiastes / Ian Cornelius
  • pt. III Materiality and textual voices
  • 7. Margery Kempe, the leprous woman and the voice of St Paul / Lawrence Warner
  • 8. Listening for the scribe: punctuation and the voicing of late medieval devotional literature / Sarah Noonan
  • 9. Parrot poet: Humphrey Newton and Bodleian Library, MS Lat. Misc. c. 66 / Wendy Scase
  • pt. IV Performative voices and medieval aurality
  • 10. Voice, materiality and history in St Erkenwald and Egils saga Skallagrimssonar / Sif Rikharosdottir
  • 11. Embodying the Mandevillean voice / Sarah Salih
  • 12. Reconstructing Christine de Pizan's musical voice in the twenty-first century / Louise D'Arcens.
  • 1 Articulate voices / Ruth Evans
  • pt. I Narrative embodiment and voicing
  • 2. Voice of authority: free indirect discourse in Chaucer's General Prologue / Helen Fulton
  • 3. Speaking in person / Fiona Somerset
  • pt. II Authoritative, ethical and orthodox voices
  • 4. The body speaks in The Franklin's Tale / Mishtooni Bose
  • 5. The sensology of the moral conscience: William Peraldus's ethical voices / Richard Newhauser
  • 6. Langland parrhesiastes / Ian Cornelius
  • pt. III Materiality and textual voices
  • 7. Margery Kempe, the leprous woman and the voice of St Paul / Lawrence Warner
  • 8. Listening for the scribe: punctuation and the voicing of late medieval devotional literature / Sarah Noonan
  • 9. Parrot poet: Humphrey Newton and Bodleian Library, MS Lat. Misc. c. 66 / Wendy Scase
  • pt. IV Performative voices and medieval aurality
  • 10. Voice, materiality and history in St Erkenwald and Egils saga Skallagrimssonar / Sif Ríkharðsdóttir
  • 11. Embodying the Mandevillean voice / Sarah Salih
  • 12. Reconstructing Christine de Pizan's musical voice in the twenty-first century / Louise D'Arcens.

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