Music and image in classical Athens /
"During the fifth century B.C., Athens witnessed the explosion of images depicting musical performance, such as Apollo and the Muses, frisky satyrs, the poet Orpheus, youths at school, brides at weddings, and the dead at tombs. Primarily found in vase paintings, but also in sculpture and now-lo...
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| Format: | Book |
| Language: | English |
| Published: |
Cambridge ; New York :
Cambridge University Press,
2005
Cambridge ; New York, NY : 2005 New York, NY : 2005 New York, NY : c2005 New York, NY : ©2005 Cambridge ; New York : 2005 |
| Subjects: |
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| 100 | 1 | |a Bundrick, Sheramy D |0 http://viaf.org/viaf/69229293 | |
| 100 | 1 | |a Bundrick, Sheramy D |1 http://viaf.org/viaf/69229293 | |
| 100 | 1 | |a Bundrick, Sheramy D | |
| 245 | 1 | 0 | |a Music and image in classical Athens / |c Sheramy D. Bundrick |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2005 | ||
| 260 | |a Cambridge ; |a New York, NY : |b Cambridge University Press, |c 2005 | ||
| 260 | |a New York, NY : |b Cambridge University Press, |c 2005 | ||
| 260 | |a New York, NY : |b Cambridge University Press, |c c2005 | ||
| 260 | |a New York, NY : |b Cambridge University Press, |c ©2005 | ||
| 264 | 1 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2005 | |
| 300 | |a xvi, 256 p. : |b ill. ; |c 27 cm | ||
| 300 | |a xvi, 256 p. : |b ill., plates ; |c 27 cm | ||
| 300 | |a xvi, 256 pages : |b illustrations ; |c 27 cm | ||
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| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 241-251) and index | ||
| 504 | |a Includes bibliographical references (pages 241-251) and index | ||
| 504 | |a Includes bibliography (p. 241-251) and index | ||
| 505 | 0 | |a Music and image in fifth-century Athens -- Representing musical instruments -- Mousike : the art of the muses -- Ethos and the character of musical imagery -- Harmonia and the life of the city -- Conclusions : musical revolutions in classical Athens | |
| 505 | 0 | |a Music and image in fifth-century Athens -- Representing musical instruments -- Mousike : the art of the muses -- Ethos and the character of musical imagery -- Harmonia and the life of the city -- Musical revolutions in classical Athens | |
| 505 | 0 | 0 | |g 1 |t Music and image in fifth-century Athens -- |g 2. |t Representing musical instruments -- |g 3. |t Mousike : the art of the muses -- |g 4. |t Ethos and the character of musical imagery -- |g 5. |t Harmonia and the life of the city -- |g 6. |t Musical revolutions in classical Athens. |
| 520 | 1 | |a "During the fifth century B.C., Athens witnessed the explosion of images depicting musical performance, such as Apollo and the Muses, frisky satyrs, the poet Orpheus, youths at school, brides at weddings, and the dead at tombs. Primarily found in vase paintings, but also in sculpture and now-lost wall paintings, these images provide significant insight into the musical culture of the time and place, especially given that so much of the literary evidence for musical culture in Athens has been lost. In this study, Sheramy Bundrick proposes that the depictions of musical performance were intimately linked to contemporary developments in the field of music itself, such as the debate over music in education, theories of musical ethos, and the growing popularity of professional musicians. Moreover, she argues that music became a visual metaphor for the harmony - or disharmony - of the city. Her book is the first to consider the broad range of musical images in the dynamic Classical period, as well as their sociocultural and artistic implications."--BOOK JACKET | |
| 520 | 1 | |a "During the fifth century B.C., Athens witnessed the explosion of images depicting musical performance, such as Apollo and the Muses, frisky satyrs, the poet Orpheus, youths at school, brides at weddings, and the dead at tombs. Primarily found in vase paintings, but also in sculpture and now-lost wall paintings, these images provide significant insight into the musical culture of the time and place, especially given that so much of the literary evidence for musical culture in Athens has been lost. In this study, Sheramy Bundrick proposes that the depictions of musical performance were intimately linked to contemporary developments in the field of music itself, such as the debate over music in education, theories of musical ethos, and the growing popularity of professional musicians. Moreover, she argues that music became a visual metaphor for the harmony - or disharmony - of the city. Her book is the first to consider the broad range of musical images in the dynamic Classical period, as well as their sociocultural and artistic implications."--Jacket | |
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