Vivian Maier : the color work /

The first definitive monograph of color photographs by American street photographer Vivian Maier. Photographer Vivian Maier's allure endures even though many details of her life continue to remain a mystery. Her story--the secretive nanny-photographer who became a pioneer photographer--has only...

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Bibliographic Details
Main Author: Westerbeck, Colin (http://id.loc.gov/vocabulary/relators/aut)
Other Authors: Maier, Vivian, 1926-2009 (Photographer, http://id.loc.gov/vocabulary/relators/pht), Meyerowitz, Joel, 1938- (writer of foreword)
Format: Book
Language:English
Published: New York, NY : Harper Design, an imprint of HarperCollins Publishers, 2018
Subjects:
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264 1 |a New York, NY :  |b Harper Design, an imprint of HarperCollins Publishers,  |c 2018 
264 4 |c ©2018 
300 |a 237 pages :  |b illustrations (chiefly color), portraits (chiefly color) ;  |c 33 cm 
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504 |a Includes bibliographical references 
520 8 |a The first definitive monograph of color photographs by American street photographer Vivian Maier. Photographer Vivian Maier's allure endures even though many details of her life continue to remain a mystery. Her story--the secretive nanny-photographer who became a pioneer photographer--has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier's full-color photographs to date. With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier's color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her 
520 8 |a The first definitive monograph of color photographs by American street photographer Vivian Maier. Photographer Vivian Maier's allure endures even though many details of her life continue to remain a mystery. Her story-the secretive nanny-photographer who became a pioneer photographer-has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier's full-color photographs to date.00With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier's color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her 
520 8 |a The first definitive monograph of color photographs by American street photographer Vivian Maier.00Photographer Vivian Maier's allure endures even though many details of her life continue to remain a mystery. Her story-the secretive nanny-photographer who became a pioneer photographer-has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier's full-color photographs to date.00With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier's color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her 
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