The monuments of Piedras Negras, an ancient Maya city /
Patronized by royalty between the sixth and eighth centuries, the monuments of Guatemala's ancient Maya city of Piedras Negras were carved by sculptors with remarkable skills and virtuosity. Together patrons and sculptors created monumental imagery in a manner that was unique within the larger...
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| Format: | Book |
| Language: | English |
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Albuquerque :
University of New Mexico Press,
2009
Albuquerque : 2009 |
| Subjects: |
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| 100 | 1 | |a Clancy, Flora S |0 http://viaf.org/viaf/sourceID/LC|n84144853 | |
| 100 | 1 | |a Clancy, Flora S |1 http://viaf.org/viaf/7456071 | |
| 100 | 1 | |a Clancy, Flora S | |
| 245 | 1 | 4 | |a The monuments of Piedras Negras, an ancient Maya city / |c Flora Simmons Clancy |
| 260 | |a Albuquerque : |b University of New Mexico Press, |c 2009 | ||
| 264 | 1 | |a Albuquerque : |b University of New Mexico Press, |c 2009 | |
| 300 | |a xi, 228 p. : |b ill., maps ; |c 26 cm | ||
| 300 | |a xi, 228 p. : |b ill., maps ; |c 27 cm | ||
| 300 | |a xi, 228 pages : |b illustrations, maps ; |c 27 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 201-220) and index | ||
| 504 | |a Includes bibliographical references (pages 201-220) and index | ||
| 505 | 0 | |a Monuments of the early classic period, 250-600 -- Ruler 1, the initiator -- Ruler 2, the warrior -- Ruler 3, the Lady K'atun : the father/mother of Piedras negras -- Ruler 4, the negotiator -- The shadowy reigns of rulers 5 and 6 -- Ruler 7, the consolidator | |
| 505 | 0 | 0 | |g Ch. 1 |t Introduction -- |g Ch. 2. |t Monuments of the Early Classic Period, 250-600 -- |g Ch. 3. |t Ruler 1, the Initiator -- |g Ch. 4. |t Ruler 2, the Warrior -- |g Ch. 5. |t Ruler 3 and Lady K'atun: The Father/Mother of Piedras Negras -- |g Ch. 6. |t Ruler 4, the Negotiator -- |g Ch. 7. |t The Shadowy Reigns of Rulers 5 and 6 -- |g Ch. 8. |t Ruler 7, the Consolidator -- |g Ch. 9. |t Concluding Remarks. |
| 505 | 0 | 0 | |g Chapter One |t Introduction |g 1 -- |g Chapter Two |t Monuments of the Early Classic Period, 250-600 |g 19 -- |g Chapter Three |t Ruler 1, the Initiator |g 25 -- |g Chapter Four |t Ruler 2, the Warrior |g 41 -- |g Chapter Five |t Ruler 3 and Lady K'atun: The Father/Mother of Piedras Negras |g 71 -- |g Chapter Six |t Ruler 4, the Negotiator |g 113 -- |g Chapter Seven |t The Shadowy Reigns of Rulers 5 and 6 |g 135 -- |g Chapter Eight |t Ruler 7, the Consolidator |g 149 -- |g Chapter Nine |t Concluding Remarks |g 169 |
| 520 | |a Patronized by royalty between the sixth and eighth centuries, the monuments of Guatemala's ancient Maya city of Piedras Negras were carved by sculptors with remarkable skills and virtuosity. Together patrons and sculptors created monumental imagery in a manner that was unique within the larger history of ancient Maya art by engaging public viewers through illustrations of ceremonies focusing on family and the feminine in royal agendas | ||
| 520 | 1 | |a "Patronized by royalty between the sixth and eighth centuries, the monuments of Guatemala's ancient Maya city of Piedras Negras were carved by sculptors with remarkable skills and virtuosity. Together patrons and sculptors created monumental imagery in a manner unique within the larger history of ancient Maya art by engaging public viewers through illustrations of ceremonies focusing on family and the feminine in royal agendas." "Flora Clancy's introduction contextualizes her work with other studies and lays out her methodological framework. She then discusses the known monuments of the city sequentially by reigns. Individual rulers are characterized by a biography drawn from the hieroglyphic texts and the icons or imagery of their monuments are analyzed and discussed." "Although the monuments of Piedras Negras are acknowledged as social, political, and cultural productions, Clancy also treats them as works of art that at their best operate on transcendent levels dissolving and overruling the contingencies of history and cultural differences."--BOOK JACKET | |
| 520 | 1 | |a "Patronized by royalty between the sixth and eighth centuries, the monuments of Guatemala's ancient Maya city of Piedras Negras were carved by sculptors with remarkable skills and virtuosity. Together patrons and sculptors created monumental imagery in a manner unique within the larger history of ancient Maya art by engaging public viewers through illustrations of ceremonies focusing on family and the feminine in royal agendas." "Flora Clancy's introduction contextualizes her work with other studies and lays out her methodological framework. She then discusses the known monuments of the city sequentially by reigns. Individual rulers are characterized by a biography drawn from the hieroglyphic texts and the icons or imagery of their monuments are analyzed and discussed." "Although the monuments of Piedras Negras are acknowledged as social, political, and cultural productions, Clancy also treats them as works of art that at their best operate on transcendent levels dissolving and overruling the contingencies of history and cultural differences."--Jacket | |
| 520 | 8 | |a Although the monuments of Piedras Negras are acknowledged as social, political, and cultural productions, Clancy also treats them as works of art that at their best operate on transcendent levels dissolving and overruling the contingencies of history and cultural differences | |
| 520 | 8 | |a Flora Clancy's introduction contextualizes her work within other studies and lays out her methodological framework. She then discusses the known monuments of the city sequentially by reigns. Individual rulers are characterized by a biography drawn from the hieroglyphic texts and the icons or imagery of their monuments are analyzed | |
| 541 | |3 Eisenhower copy: |c Purchased with funds from the |a Debbie & R. Champlin Sheridan Humanities Fund; |d FY2009 |5 MdBJ. | ||
| 596 | |a 1 | ||
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| 650 | 0 | |a Maya architecture |z Usumacinta River Valley (Guatemala and Mexico) | |
| 650 | 0 | |a Maya art |z Guatemala |z Piedras Negras Site | |
| 650 | 0 | |a Maya art |z Usumacinta River Valley (Guatemala and Mexico) |0 https://id.loc.gov/authorities/subjects/sh96004129-781 | |
| 650 | 0 | |a Maya art |z Usumacinta River Valley (Guatemala and Mexico) | |
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