Watercolor women, opaque men : a novel in verse /
With a remarkable combination of tenderness, lyricism, wicked humor, and biting satire, Ana Castillo dramatizes her heroine's struggle through poverty. Urged on by the gods of the ancients, the heroine, known only as "Ella" or "She," narrates stories that illustrate what it...
| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Willimantic, CT :
Curbstone Press,
2005
Willimantic, CT : 2005 |
| Edition: | 1st ed |
| Subjects: |
| LEADER | 12314nam a2201441 a 4500 | ||
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| 100 | 1 | |a Castillo, Ana |0 http://viaf.org/viaf/90599366 | |
| 100 | 1 | |a Castillo, Ana |1 http://viaf.org/viaf/90599366 | |
| 100 | 1 | |a Castillo, Ana | |
| 245 | 1 | 0 | |a Watercolor women, opaque men : |b a novel in verse / |c Ana Castillo |
| 250 | |a 1st ed | ||
| 250 | |a First edition | ||
| 260 | |a Willimantic, CT : |b Curbstone Press, |c 2005 | ||
| 264 | 1 | |a Willimantic, CT : |b Curbstone Press, |c 2005 | |
| 300 | |a 269 p. ; |c 22 cm | ||
| 300 | |a 269 pages ; |c 22 cm | ||
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| 505 | 0 | |a The Gods come together -- Lord and Lady of sustenance -- Mama Grande -- Cipactli: woman as monster -- Left-handed brother -- La Tia renata -- Dog days of summer '75 -- Renacimiento (or, death to all dwarf roosters who think they can fly) -- The sire -- La amazona (or, the eighties in San Francisco) -- Governess of the subconscious -- El hijo -- Suicide -- Mictlan -- Tonalli -- In the jaws of Xolotl -- Righteous white boyz -- The archivist -- The seminarian -- Baggage -- Dangerously happy -- Lunar twin -- La otra -- A night without stars on the Isthmus -- Are hunters born or made? -- Mistress of death -- Between the Aztecs' pyramids and the ancient Egyptians' -- The fields -- Splendor and obsession | |
| 505 | 0 | 0 | |g I |t Ella |g 1 -- |g II |t The Gods Come Together |g 4 -- |g III |t Lord and Lady of Sustenance |g 6 -- |g IV |t Mama Grande |g 20 -- |g V |t Cipactli: Woman as Monster |g 31 -- |g VI |t Left-handed Brother |g 33 -- |g VII |t La Tia Renata |g 38 -- |g VIII |t Dog Days of Summer '75 |g 41 -- |g IX |t Renacimiento (or, Death to All Dwarf Roosters Who Think They Can Fly) |g 55 -- |g X |t The Sire |g 69 -- |g XI |t La Amazona (or, The Eighties in San Francisco |g 76 -- |g XII |t Governess of the Subconscious |g 86 -- |g XIII |t El Hijo |g 102 -- |g XIV |t Suicide |g 118 -- |g XV |t Mictlan |g 121 -- |g XVI |t Tonalli |g 130 -- |g XVII |t In the Jaws of Xolotl |g 145 -- |g XVIII |t Righteous White Boyz |g 153 -- |g XIX |t The Archivist |g 159 -- |g XX |t The Seminarian |g 166 -- |g XXI |t Baggage |g 178 -- |g XXII |t Dangerously Happy |g 187 -- |g XXIII |t Lunar Twin |g 201 -- |g XXIV |t La Otra |g 215 -- |g XXV |t A Night Without Stars on the Isthmus |g 217 -- |g XXVI |t Are Hunters Born or Made? |g 233 -- |g XXVII |t Mistress of Death |g 248 -- |g XXVIII |t Between the Aztecs' Pyramids and the Ancient Egyptians' |g 255 -- |g XXIX |t The Fields |g 257 -- |g XXX |t Splendor and Obsession |g 261 |
| 520 | |a With a remarkable combination of tenderness, lyricism, wicked humor, and biting satire, Ana Castillo dramatizes her heroine's struggle through poverty. Urged on by the gods of the ancients, the heroine, known only as "Ella" or "She," narrates stories that illustrate what it means to be a marginalized brown woman or man at the threshold of the 21st Century. Ella's life interweaves with those of others whose existences are often neglected, even denied, by society's status quo. She also moves toward establishing her sexual identity through affairs with both men and women as she makes her way in the world while simultaneously raising a son to be independent and self-sufficient | ||
| 520 | |a "Urged on by the gods of the ancients, the heroine, known only as "Ella" or "She," narrates stories that illustrate what it means to be a marginalized brown woman or man at the threshold of the 21st century. Ella's life interweaves with those of others whose existences are often neglected, even denied, by society's status quo."--Back cover. A novel in verse | ||
| 520 | 1 | |a "With a remarkable combination of tenderness, lyricism, wicked humor, and biting satire, Ana Castillo dramatizes her heroine's struggle through poverty. Urged on by the gods of the ancients, the heroine, known only as "Ella" or "She," narrates stories that illustrate what it means to be a marginalized brown woman or man at the threshold of the 21st Century. Ella's life interweaves with those of others whose existences are often neglected, even denied, by society's status quo. She also moves toward establishing her sexual identity through affairs with both men and women as she makes her way in the world while simultaneously raising a son to be independent and self-sufficient."--BOOK JACKET | |
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| 776 | 0 | 8 | |i Online version: |a Castillo, Ana |t Watercolor women, opaque men. |b 1st ed. |d Willimantic, CT : Curbstone Press, 2005 |w (OCoLC)609276113 |
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