Giulietta e Romeo : tragedia per musica in two acts /

Nicola Vaccaj belonged to the Neapolitan school: pupil of Paisiello and contemporary of Rossini, whose fame somehow obscured his own, he was well known and appreciated at his time. Therefore, its hard to believe that his most notable success was neglected for such a long time. Within a traditional,...

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Bibliographic Details
Main Author: Vaccai, Nicola, 1790-1848 (Composer)
Corporate Authors: Accademia Teatro alla Scala Orchestra (Performer), Teatro alla Scala Orchestra (Performer), Teatro municipale di Piacenza Coro (Performer)
Other Authors: Bonilla, Leonor (Performer, Singer), Cortellazzi, Leonardo (Performer, Singer), Lupinacci, Raffaella, 1984- (Performer, Singer), Marrocu, Paoletta (Performer, Singer), Quatrini, Sesto, 1984- (Conductor), Quatrini, Sesto (Conductor), Romani, Felice, 1788-1865 (Librettist), Senn, Christian, 1973- (Performer, Singer), Stajkic, Vasa (Performer, Singer)
Format: Unknown
Language:Italian
English
French
German
Japanese
Korean
Published: Italy : Dynamic, [2019]
Subjects:
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508 |a Alessia Colosso, set designer ; Giuseppe Palella, costume designer ; Luciano Novelli, light designer 
511 0 |a Leonardo Cortellazzi (Capellio) ; Leonor Bonilla (Giulietta) ; Raffaella Lupinacci (Romeo) ; Paoletta Marrocu (Adelia) ; Vasa Stajkic (Tebaldo) ; Christian Senn (Lorenzo) ; Coro del Teatro Municipale di Piacenza ; Orchestra Accademia Teatro alla Scala ; Sesto Quatrini, conductor 
511 0 |a Leonardo Cortellazzi, Capellio ; Leonor Bonilla, Giulietta ; Raffaella Lupinacci, Romeo ; Paoletta Marrocu, Adelia ; Vasa Stajkic, Tebaldo ; Christian Senn, Lorenzo ; Coro del Teatro Municipale di Piacenza ; Orchestra Accademia Teatro alla Scala ; Sesto Quatrini, conductor 
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520 |a Nicola Vaccaj belonged to the Neapolitan school: pupil of Paisiello and contemporary of Rossini, whose fame somehow obscured his own, he was well known and appreciated at his time. Therefore, its hard to believe that his most notable success was neglected for such a long time. Within a traditional, sixteenth century setting, director Cecilia Ligorio chose to convey a sense of doom and tragedy which the entire work is imbued with, from the choice of costumes and settings to the stage lighting 
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700 1 |a Quatrini, Sesto,  |d 1984-  |e conductor 
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