The delirious museum : a journey from the Louvre to Las Vegas /
Providing an interpretation of the relationship between the museum and the city in the 21st century, this work presents an original view of the idea of the museum, proposing that it is, or should be, both a repository of the artefacts of the past and a continuation of the city street in the present
Main Author: | |
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Format: | Book |
Language: | English |
Published: |
London :
I. B. Tauris,
2006
London ; New York : New York : I. B. Tauris ; Distributed exclusively in the USA by Palgrave, 2007 London ; New York : I.B. Tauris, 2006 London ; New York : 2006 London : 2006 London : 2007 |
Subjects: |
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100 | 1 | |a Storrie, Calum | |
245 | 1 | 4 | |a The delirious museum : |b a journey from the Louvre to Las Vegas / |c Calum Storrie |
260 | |a London : |b I. B. Tauris, |c 2006 | ||
260 | |a London ; |a New York : |b I. B. Tauris ; |a New York : |b Distributed exclusively in the USA by Palgrave, |c 2007 | ||
260 | |a London ; |a New York : |b I. B. Tauris, |c 2006 | ||
260 | |a London ; |a New York : |b I.B. Tauris, |c 2006 | ||
264 | 1 | |a London : |b I. B. Tauris, |c 2006 | |
264 | 1 | |a London : |b I. B. Tauris, |c 2007 | |
300 | |a viii, 246 p. : |b ill. ; |c 22 cm | ||
300 | |a viii, 246 p. : |b ill. ; |c 23 cm | ||
300 | |a viii, 246 pages : |b illustrations ; |c 22 cm | ||
300 | |a viii, 246 pages : |b illustrations ; |c 23 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
500 | |a Originally published: 2006 | ||
500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
504 | |a Includes bibliographical references (p. [217]-240) and index | ||
504 | |a Includes bibliographical references (p. [231]-240) and index | ||
504 | |a Includes bibliographical references (p.[231]-240) and index | ||
504 | |a Includes bibliographical references (pages 231-240) and index | ||
504 | |a Includes bibliographical references and index | ||
505 | 0 | |a The Louvre: An absence -- The endless museum: A 'house of dreams' -- Beneath the museum, the street -- The totalmuseum: Exhibitions/experiments -- This is a not museum -- From Soane to Soane -- The mausoleum: Where death ends -- Carlo Scarpa: The labyrinth in time -- The spiral in ruins -- After the wall: Studio Libeskind -- Los Angeles: The hidden museum -- Las Vegas: The past sure is tense | |
505 | 0 | 0 | |g 1 |t The Louvre : an absence -- |g 2. |t The endless museum : a 'house of dreams' -- |g 3. |t Beneath the museum, the street -- |g 4. |t The totalmuseum : exhibitions/experiments -- |g 5. |t This is a not museum -- |g 6. |t From Soane to Soane -- |g 7. |t The mausoleum : where death ends -- |g 8. |t Carlo Scarpa : the labyrinth in time -- |g 9. |t The spiral in ruins -- |g 10. |t After the wall : studio Libeskind -- |g 11. |t Los Angeles : the hidden museum -- |g 12. |t Las Vegas : the past sure is tense. |
505 | 0 | 0 | |g 1 |t The Louvre: An Absence |g 7 -- |g 2 |t The Endless Museum: A 'House of Dreams' |g 16 -- |g 3 |t Beneath the Museum, the Street |g 34 -- |g 4 |t The Totalmuseum: Exhibitions/Experiments |g 44 -- |g 5 |t This is a not Museum |g 64 -- |g 6 |t From Soane to Soane |g 86 -- |g 7 |t The Mausoleum: Where Death Ends |g 109 -- |g 8 |t Carlo Scarpa: The Labyrinth in Time |g 129 -- |g 9 |t The Spiral in Ruins |g 147 -- |g 10 |t After the Wall: Studio Libeskind |g 168 -- |g 11 |t Los Angeles: The Hidden Museum |g 185 -- |g 12 |t Las Vegas: The Past Sure is Tense |g 198 |
520 | |a Providing an interpretation of the relationship between the museum and the city in the 21st century, this work presents an original view of the idea of the museum, proposing that it is, or should be, both a repository of the artefacts of the past and a continuation of the city street in the present | ||
520 | |a The Delirious Museum is a remarkable, illuminating work, which presents an original view of the idea of the museum in the twenty-first century, re-imagining the possibilities for museums and their displays and re-examining the blurred boundaries between museums and the cities around them. On his quest for the Delirious Museum, Storrie takes a journey that begins in the Louvre and continues through Paris, London, Los Angeles and Las Vegas. He encounters on his way the museum architecture of John Soane, Carlo Scarpa and Daniel Libeskind, the exhibitions of El Lissitsky and of Frederick Kiesler, and the work of artists as varied as Marcel Duchamp, Andy Warhol, Marcel Broodthaers, Sophie Calle and Mark Dion | ||
520 | |a "The Delirious Museum is a work which gives a new interpretation of the relationship between the museum and the city in the twenty-first century. It presents an original view of the idea of the museum, proposing that it is, or should be, both a repository of the artefacts of the past and a continuation of the city street in the present. Storrie reviews our experience of the city and of the museum taking a journey that begins in the Louvre and continues through Paris, London, Los Angeles and Las Vegas, re-imagining the possibilities for museums and their displays and re-examining the blurred boundaries between museums and the cities around them. During his quest for the Delirious Museum he draws on multiple sources, from Walter Benjamin to Georges Perec and from Greil Marcus to Peter Ackroyd. Encountering on his way the museum architecture of John Soane, Carlo Scarpa and Daniel Libeskind and the exhibitions of El Lissitsky and of Frederick Kiesler, Storrie also surveys the work of artists as varied as Marcel Duchamp, Andy Warhol, Marcel Broodthaers, Sophie Calle and Mark Dion."--Jacket | ||
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