Movements on screen : understanding Korean Society through independent films = Yŏnghwa wa undong /
영화 와 운동 = Movements on screen : understanding Korean Society through independent films /
Doomealee: a new school is opening: "Since 1988, the Ministry of Education has implemented a small-scale national school integration measures, and the school is also closed down at Doomiri Elementary School in Gampyong-gun, Gyeonggi-do. Dumili residents who are only farmers usually try to save...
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| Format: | Unknown |
| Language: | Korean Russian French English Japanese Chinese Spanish |
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Sŏul-si :
Hanʼguk Yŏngsang Charyowŏn,
2018
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| Summary: | Doomealee: a new school is opening: "Since 1988, the Ministry of Education has implemented a small-scale national school integration measures, and the school is also closed down at Doomiri Elementary School in Gampyong-gun, Gyeonggi-do. Dumili residents who are only farmers usually try to save their children's school. The result of the one-year struggle eventually ended with the closure of the school, but residents and children realize the importance of a small school and develop new hope."--KMDb Labor news no. 1: "This is the record of the struggle of the workers' wage in 1988 such as the report (Daedong unity struggle), the special feature (the workers' eyes and the subway strike struggle), and the direction and tasks of the wage struggle in 1989"--KMDb Sanggye-Dong Olympic: "The Olympics were held in Korea in 1988. Each of the media was talking about historical things and the people were excited by the influence. However, there was a neglected neighbor in the outskirts of the city. It was a city aesthetic Perspective that the foreigners who come to the Olympics should not show poor Seoul. For this reason, the residents of Sanggye-dong and 200 dormitories in Daldong, Seoul, had to be driven out of their homes for decades without any measures. The residents shouted to guarantee a minimum living space, but the government set up a demolition thug, a folklore, and a combat police They ruthlessly redeemed them and demolished their houses. A dictatorial era in which many people were hurt and killed, but the press was silent. The camera, along with the evacuees, lived for three years and recorded their struggle, their pain and hope. Sometimes I hold the camera directly in the hands of the people who have been removed, and it contains the voice of the party. This work has been recognized as a new chapter in the history of Korean documentary. In addition to playing a major role in expanding the scope of independent film works, it is also widely known as one of the first Korean documentaries to be screened at the Yamagata Film Festival. Intent to direct. "I was born there again" I was asked to shoot the Sanggye-dong demolition village from the priest who I know. I had to take a picture of the damage to the household utensils for the trial. October 1986. I felt the meaning of the word 'social structural contradiction' which I had only conceptually understood there. Looking at the people blowing their bodies to stop the crane, they thought, "Our society was like this." When I think about it, the day was a time of learning. And I learned the joy of living in a community there. I took the tent and took some time to cover the vinyl, but I seem to have realized the 'half of the world' I did not know in Sanggye-dong. Since then, the community has suffered from internal divisions, and I think it was a part of ideal community. Sanggye-dong is the place where I was born again, and now I am working on [Olympics in Sanggye-dong, after that]. I wonder what kind of people are living there now."--KMDb South river: " In the south of the Han River in 1980, construction is in full swing. People and machines are sweating. A signboard of the 'New Seoul Church' that goes through the screen. Yes, they are sweating for the new Seoul. Compared to the construction of the apartment, the pub is made with a very shabby board, and the audience carefully approaches the glass window. The aunt runs out and a man chases with a sword. The struggle of the married couple has begun. In the pile of boards, the life of an aunt is dominated by past fragmentary moments that pass through her husband's mind. The destruction of construction, destruction of humanity by this, the film firstly reveals the phenomenon of destruction through visual clashes and the confusion between the roaring of overlapping machines arising from destruction for development, This implies the nature of this destruction. The camera's perspective, with its stops and movements, demands both audiences intense excitement and coolness."--KMDb The night before strike: " New metal forged in the same metal forging group, and forged members welcomed him. Among the 200 forged class members, Hansu who wants to get rid of poverty has a simple dream. Sending his brother to college, marrying Miza who goes to a sewing factory and packing up a homey family. On the other hand, Kim is making preparations in advance for the formation of a union, and Hansu is included as a worker on the company side to the master who he usually knows. The central character of the forging group member, Zhugeong and Junggi, resolves to build the union, and the forged members prepare for the establishment of the union by punishing them for overtime work and refusal to specialize. Mr. Han, who is proposed to be promoted by the head of the head, pushes for the completion. As a result, the university student status of the profits is discovered and arrested at the same time as dismissal. Since the founding of the union, the company dismisses key members of the labor union, but the unionists struggle to go to work and face the company. In the meantime, there is a case in which the protesters are caught, and the union members think this is the case. As a result of this work, Hansu finds out that he played in the farms of the managers. The company employs hooligans to crush dismissed workers who are occupying the country. The unionists are burying the barygies, but they are brutally attacked by their indiscriminate violence and dragged out of the factory. Hansu can not ignore the misery of his colleagues, stops plant machinery and goes out to save them with other workers."--KMDb Water utilization tax: "A film about the struggle of the peasants in Suwon, Gyeongnam, for paying in kind. The crew went to the struggle scene and reconstructed the case through the interviews of the farmers there and the recreation of the events, and made it into a documentary."--KMDb "My Own Breathing is the last of BYUN Young-joo's The Murmuring trilogy about comfort women, produced over the period of seven years. While the first two documentaries portray the elderly victims' pain and process of healing by focusing on their everyday life in the community of the House of Sharing, the third documentary, My Own Breathing, delivers their accounts of history, criticism of the present and hopes for the future through their own voices."--Korean Film Archive |
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| Item Description: | Screen ratio varies by films This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |
| Physical Description: | 4 videodiscs (398 min.) : digital, sound, color ; 4 3/4 in. + Book (280 pages : color illustrations ; 19 cm) |
| Playing Time: | 06:38:00 |
| Format: | DVD; NTSC; (4:3) full frame, anamorphic screen ; Dolby digital mono |
| Production Credits: | Director, Chang Kil-su (Kang ŭi namtchok), Kim Tong-wŏn (Sanggye-dong Ollimp'ik), Hong Hyŏng-suk (Tumal-li, saeroun hakkyo ka yŏllinda), Hong Kis-ŏn (Surise), Pyŏn Yŏng-ju (Sumgyŏl) Producer, Nodongja Nyusŭ Chejaktan (Nodongja nyusŭ 1-ho), Changsan Konmae (P'aŏp chŏnya), |