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|a Jarrett, Sandra,
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|a Edvard Grieg and His Songs
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|a Milton :
|b Routledge,
|c 2019
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|a 1 online resource (174 pages)
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|a 4. Key to the International Phonetic Alphabet (IPA) for Norwegian
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|a Cover; Title Page; Copyright Page; Half Title; Dedication; Original Title Page; Original Copyright Page; Table of Contents; List of Plates; List of Music Examples; Preface; 1: Edvard Grieg: A Brief Life; The early years; Leipzig Conservatory of Music, 1858-62; The Copenhagen years, 1863-66; Christiania, 1866-74; Bergen and Lofthus, 1874-85; Troldhaugen, 1885-1900; The final years; 2: Writer of Songs; National Romanticism and Grieg's stylistic development; Grieg and the art song in Norway; The importance of Grieg's songs; Grieg as a song composer; The role of language in Grieg's songs
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|a 6: The First Ibsen Songs: Opus 23, from Peer GyntPeer Gynts Serenade, Op. 23 No. 17; Solveigs Sang, Op. 23 No. 19; Solveigs Vuggevise, Op. 23 No. 26; 7: Six Songs by Henrik Ibsen: Opus 25; Spillemænd, Op. 25 No. 1; En Svane, Op. 25 No. 2; Stambogsrim, Op. 25 No. 3; Med en Vandlilje, Op. 25 No. 4; Borte!, Op. 25 No. 5; En Fuglevise, Op. 25 No. 6; 8: The Vinje Songs, Opus 33; Guten, Op. 33 No. 1; Våren, Op. 33 No. 2; Den Saerde, Op. 33 No. 3; Langs ei Å, Op. 33 No. 5; Eit Syn, Op. 33 No. 6; Ved Rundarne, Op. 33 No. 9
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|a 9: Six Songs, Opus 48: Poems by Heine, Uhland, Vogelweide, Goethe, and BodenstedtGruss, Op. 48 No. 1; Lauf der Welt, Op. 48 No. 3; Die verschwiegene Nachtigall, Op. 48 No. 4; Zur Rosenzeit, Op. 48 No. 5; Ein Traum, Op. 48 No. 6; 10: Opus 44 and Opus 49: The Danish Poet Holger Drachmann; Prolog, Op. 44 No. 1; Foraarsregn, Op. 49 No. 6; 11: The Krag Songs: Opus 60; Liden Kirsten, Op. 60 No. 1; Moderen synger, Op. 60 No. 2; Mens jeg venter, Op. 60 No. 3; Der skreg en Fugl, Op. 60 No. 4; Og jeg vil ha mig en Hjertenskjær, Op. 60 No. 5; 12: Songs for Children: Opus 61; Havet, Op. 61 No. 1
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|a Lok, Op. 61 No. 3Kveld-sang for Blakken, Op. 61 No. 5; 13: The Haugtussa Song Cycle: Opus 67; Det syng, Op. 67 No. 1; Veslemøy, Op. 67 No. 2; Blåbær-Li, Op. 67 No. 3; Møte, Op. 67 No. 4; Elsk, Op. 67 No. 5; Killingdans, Op. 67, No. 6; Vond Dag, Op. 67 No. 7; Ved Gjætle-Bekken, Op. 67 No. 8; 14: Poems by Otto Benzon: Opus 69 and Opus 70; Snegl, Snegl, Op. 69 No. 4; Lys Nat, Op. 70 No. 3; 15: Conclusion; Appendix A: Norwegian Language and Pronunciation; 1. A short history of the Norwegian language; 2. The sounds of Norwegian; 3, Pronunciation
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|a The form of the songsThe accompaniments; Declamation and rhythm; The melodies; The harmonies; 3: The Voice of Nina Grieg; Grieg's expectations regarding performance of his songs; 4: Opus 4 and Opus 5; Das alte Lied, Op. 4 No. 5; To brune Öyne, Op. 5 No. 1; En Digters Bryst, Op. 5 No. 2; Jeg elsker Dig, Op. 5 No. 3; Min Tanke er et mægtigt Fjeld, Op. 5 No. 4; 5: The First Bjørnson Songs: Prinsessen, Opus 21, and Opus 39 No. 2; Prinsessen, EG 133; Det første Møde, Op. 21 No. 1; Jeg giver mit Digt til Våren, Op. 21 No. 3; Tak for dit Råd, Op. 21 No. 4; Dulgt Kjærlighed, Op. 39 No. 2
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|a Originally published in 2003, Edvard Grieg and his Songs examines the lifetime of Edvard Grieg. His songs were among his most popular and well-known works and both historians and critics have seen in them, Grieg at his most sophisticated and innovative. Important in and of themselves, the songs also illuminate critical aspects of his other works such as his musical impressionism, his use of folk music as a source of inspiration, and his novel approach towards harmony. Fifty of Grieg's most important songs form the focus of this book. Each song is discussed individually and within the wider context of the composer's output. The book provides a translation of the lyrics, and analysis of the poem and a description of the song's form, melody, tessitura, harmony, rhythm and accompaniment, together with suggestions for interpretation. In addition to this, the book gives a brief biography of Grieg, with a chapter that analyses his approach to song writing
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|a Grieg, Edvard,
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|i Print version:
|a Jarrett, Sandra
|t Edvard Grieg and His Songs.
|d Milton : Routledge, ©2019
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