Giorgio Vasari : la fabrique de l'allégorie : culture et fonction de la personnification au Cinquecento /
Giorgio Vasari was one of the most interesting and prolific creators of embodiments of the sixteenth century. His allegorical figures speak the same language, rhetoric, literature and contemporary philosophy, scholar and courtier of the world which is an active Vasari. This paper aims to study the r...
| Main Author: | |
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| Other Authors: | |
| Format: | Book |
| Language: | French |
| Published: |
Firenze :
Leo S. Olschki Editore,
2011
Firenze : Leo S. Olschki 2011 Firenze : Leo S. Olschki, 2011 Firenze : 2011 |
| Series: | Biblioteca dell'"Archivum Romanicum." Storia, letteratura, paleografia ;
v. 380 Biblioteca dell'"Archivum Romanicum." Storia, letteratura, paleografia v. 380 |
| Subjects: |
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| 100 | 1 | |a Fenech Kroke, Antonella | |
| 100 | 1 | |a Fenech Kroke, Antonella, |e author | |
| 245 | 1 | 0 | |a Giorgio Vasari : |b la fabrique de l'allégorie : culture et fonction de la personnification au Cinquecento / |c Antonella Fenech Kroke ; préface de Philippe Morel |
| 260 | |a Firenze : |b Leo S. Olschki Editore, |c 2011 | ||
| 260 | |a Firenze : |b Leo S. Olschki |c 2011 | ||
| 260 | |a Firenze : |b Leo S. Olschki, |c 2011 | ||
| 264 | 1 | |a Firenze : |b Leo S. Olschki, |c 2011 | |
| 300 | |a xxi, 553 p., [16] p. of plates : |b ill. (chiefly col.) ; |c 24 cm | ||
| 300 | |a xxi, 553 pages, 16 unnumbered pages of plates : |b illustrations (chiefly color) ; |c 25 cm | ||
| 300 | |a xxi, 553 pages, 16 unnumbered pages of plates : |b illustrations (some color) ; |c 25 cm | ||
| 300 | |a xxi, 553 pages, [16] pages of plates : |b illustrations (chiefly color) ; |c 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Biblioteca dell'Archivum Romanicum : Serie I, Storia, letteratura, paleografia ; |v 380 | |
| 490 | 1 | |a Biblioteca dell'Archivum romanicum. Serie I: Storia, Letteratura, Paleografia ; |v 380 | |
| 500 | |a Revised version of the author's thesis (doctoral)--Universite Paris I Panthéon-Sorbonne | ||
| 500 | |a Revised version of the author's thesis (doctoral)--Universite Paris I Panthéon-Sorbonne | ||
| 504 | |a Includes bibliographical references (p. 491-540) and index | ||
| 504 | |a Includes bibliographical references (pages 491-540) and index | ||
| 520 | 8 | |a Giorgio Vasari was one of the most interesting and prolific creators of embodiments of the sixteenth century. His allegorical figures speak the same language, rhetoric, literature and contemporary philosophy, scholar and courtier of the world which is an active Vasari. This paper aims to study the reasons and forms of exuberance that characterize this allegorical language, the first of its encoding, which begins at the end of the century, with the Iconology of Cesare Ripa | |
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| 650 | 0 | |a Symbolism in art | |
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| 650 | 7 | |a Personification in art |2 fast | |
| 650 | 7 | |a Symbolism in art |2 fast | |
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| 700 | 1 | |a Morel, Philippe, |e writer of introduction | |
| 830 | 0 | |a Biblioteca dell'"Archivum Romanicum." |n Serie I, |p Storia, letteratura, paleografia ; |v v. 380 | |
| 830 | 0 | |a Biblioteca dell'"Archivum Romanicum." |n Serie I, |p Storia, letteratura, paleografia |v v. 380 | |
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