Art criticism as narrative : Diderot's Salon de 1767 /
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York :
P. Lang,
[1995], ©1995
New York : c1995 New York : ©1995 New York : [1995] |
| Series: | Age of revolution and romanticism ;
v. 13 |
| Subjects: |
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| 100 | 1 | |a Arnold, Julie Wegner, |d 1957- | |
| 245 | 1 | 0 | |a Art criticism as narrative : |b Diderot's Salon de 1767 / |c Julie Wegner Arnold |
| 260 | |a New York : |b P. Lang, |c [1995], ©1995 | ||
| 260 | |a New York : |b P. Lang, |c c1995 | ||
| 260 | |a New York : |b P. Lang, |c ©1995 | ||
| 264 | 1 | |a New York : |b P. Lang, |c [1995] | |
| 264 | 4 | |c ©1995 | |
| 300 | |a viii, 161 p. : |b ill. ; |c 24 cm | ||
| 300 | |a viii, 161 pages : |b illustrations ; |c 24 cm | ||
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| 490 | 1 | |a The age of revolution and romanticism ; |v vol. 13 | |
| 490 | 1 | |a The age of revolution and romanticism, |x 1045-4497 ; |v vol. 13 | |
| 504 | |a Includes bibliographical references (p. [133]-145) and index | ||
| 504 | |a Includes bibliographical references (pages [133]-145) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a I. Introduction: Why Art Criticism? -- II. Mental Images -- III. Diderot's Portraits. Diderot's Portrait by Michel Van Loo. Diderot's Self-Portrait in Response to Van Loo. A Portrait by Garand. Busts of Diderot by Falconet and Mlle Collot. Diderot and Mme Therbouche. The Ventriloquist Once-Removed -- IV. Landscape: A Stage for Ventriloquy. Setting the Stage. The First Site. The Second Site. Who's On Stage? From Solitude to Companionship -- V. Conclusion | |
| 505 | 0 | 0 | |g I |t Introduction: Why Art Criticism? -- |g II. |t Mental Images -- |g III. |t Diderot's Portraits. |t Diderot's Portrait by Michel Van Loo. |t Diderot's Self-Portrait in Response to Van Loo. |t A Portrait by Garand. |t Busts of Diderot by Falconet and Mlle Collot. |t Diderot and Mme Therbouche. |t The Ventriloquist Once-Removed -- |g IV. |t Landscape: A Stage for Ventriloquy. |t Setting the Stage. |t The First Site. |t The Second Site. |t Who's On Stage? |t From Solitude to Companionship -- |g V. |t Conclusion. |
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