Beyond shame : reclaiming the abandoned history of radical gay sexuality /
The radical sexuality of gay American men in the 1970s is often seen as a shameful period of excess that led to the AIDS crisis. Beyond Shame claims that when the gay community divorced itself from this allegedly tainted legacy, the tragic result was an intergenerational disconnect because the origi...
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| Format: | Book |
| Language: | English |
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Boston :
Beacon Press,
[2004], ©2004
Boston : c2004 Boston : ©2004 Boston : [2004] |
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| 100 | 1 | |a Moore, Patrick, |d 1962- |0 http://viaf.org/viaf/11469654 | |
| 100 | 1 | |a Moore, Patrick, |d 1962- |1 http://viaf.org/viaf/11469654 | |
| 100 | 1 | |a Moore, Patrick, |d 1962- | |
| 245 | 1 | 0 | |a Beyond shame : |b reclaiming the abandoned history of radical gay sexuality / |c Patrick Moore |
| 246 | 3 | 0 | |a Reclaiming the abandoned history of radical gay sexuality |
| 260 | |a Boston : |b Beacon Press, |c [2004], ©2004 | ||
| 260 | |a Boston : |b Beacon Press, |c c2004 | ||
| 260 | |a Boston : |b Beacon Press, |c ©2004 | ||
| 264 | 1 | |a Boston : |b Beacon Press, |c [2004] | |
| 264 | 4 | |c ©2004 | |
| 300 | |a xxviii, 236 p. ; |c 23 cm | ||
| 300 | |a xxviii, 236 pages ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 500 | |a "Commission by the Estate Project for Artists with AIDS (a project of the Alliance for the Arts)." | ||
| 500 | |a "Commissioned by the Estate Project for Artists with AIDS (a project of the Alliance for the Arts)."--P. [v] | ||
| 504 | |a Includes bibliographical references (p. 223-232) and index | ||
| 504 | |a Includes bibliographical references (pages 223-232) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a The great experiment -- Theater of pleasure : the Mineshaft -- Another world : San Francisco and the Catacombs -- The Saint and the beginning of the end -- Gathering darkness -- The life and films of Fred Halsted -- What might have been -- The rise of the East Village -- New role models : Cookie Mueller and David Wojnarowicz -- The sexual flâneur -- Act up -- Owning AIDS -- Hope and caution : Assotto Saint and Felix Gonzalez-Torres -- "Contact" and the dangers of assimilation -- The Estate Project for Artists with AIDS | |
| 505 | 0 | |a The great experiment -- Theater of pleasure : the Mineshaft -- Another world : San Francisco and the Catacombs -- The Saint and the beginning of the end -- Gathering darkness -- The life and films of Fred Halsted -- What might have been -- The rise of the East Village -- New role models : Cookie Mueller and David Wojnarowicz -- The sexual flâneur -- Act up -- Owning AIDS -- Hope and caution : Assotto Saint and Felix Gonzalez-Torres -- "Contact" and the dangers of assimilation -- The estate project for artists with AIDS | |
| 505 | 0 | |a The great experiment -- Theater of pleasure : the Mineshaft -- Another world : San Francisco and the Catacombs -- The Saint and the beginning of the end -- Gathering darkness -- The life and films of Fred Halsted -- What might have been -- The rise of the East Village -- New role models : Cookie Mueller and David Wojnarowicz -- The sexual flńeur -- Act up -- Owning AIDS -- Hope and caution : Assotto Saint and Felix Gonzalez-Torres -- "Contact" and the dangers of assimilation -- The estate project for artists with AIDS | |
| 505 | 0 | |a The great experiment -- Theater of pleasure : the Mineshaft -- Another world : San Francisco and the Catacombs -- The Saint and the beginning of the end -- Gathering darkness -- The life and films of Fred Halsted -- What might have been -- The rise of the East Village -- New role models : Cookie Mueller and David Wojnarowicz -- The sexual flâneur -- Act up -- Owning AIDS -- Hope and caution : Assotto Saint and Felix Gonzalez-Torres -- "Contact" and the dangers of assimilation -- The Estate Project for Artists with AIDS | |
| 505 | 0 | |a The great experiment -- Theater of pleasure : the Mineshaft -- Another world : San Francisco and the Catacombs -- The Saint and the beginning of the end -- Gathering darkness -- The life and films of Fred Halsted -- What might have been -- The rise of the East Village -- New role models : Cookie Mueller and David Wojnarowicz -- The sexual flâneur -- Act up -- Owning AIDS -- Hope and caution : Assotto Saint and Felix Gonzalez-Torres -- "Contact" and the dangers of assimilation -- The estate project for artists with AIDS | |
| 505 | 0 | 0 | |t Foreword / |r Michael Bronski -- |g Sect. I |t Before -- |g Ch. 1. |t The Great Experiment -- |g Ch. 2. |t Theater of Pleasure: The Mineshaft -- |g Ch. 3. |t Another World: San Francisco and the Catacombs -- |g Ch. 4. |t The Saint and the Beginning of the End -- |g Ch. 5. |t Gathering Darkness -- |g Ch. 6. |t The Life and Films of Fred Halsted -- |g Ch. 7. |t What Might Have Been -- |g Sect. II. |t After -- |g Ch. 8. |t The Rise of the East Village -- |g Ch. 9. |t New Role Models: Cookie Mueller and David Wojnarowicz -- |g Ch. 10. |t The Sexual Flaneur -- |g Ch. 11. |t Act Up -- |g Sect. III. |t Lost -- |g Ch. 12. |t Owning AIDS -- |g Ch. 13. |t Hope and Caution: Assotto Saint and Felix Gonzalez-Torres -- |g Ch. 14. |t "Contact" and the Dangers of Assimilation -- |t Epilogue: The Estate Project for Artists with AIDS. |
| 505 | 0 | 0 | |t Foreword / |r Michael Bronski -- |g Sect. I |t Before -- |g Ch. 1. |t The Great Experiment -- |g Ch. 2. |t Theater of Pleasure: The Mineshaft -- |g Ch. 3. |t Another World: San Francisco and the Catacombs -- |g Ch. 4. |t The Saint and the Beginning of the End -- |g Ch. 5. |t Gathering Darkness -- |g Ch. 6. |t The Life and Films of Fred Halsted -- |g Ch. 7. |t What Might Have Been -- |g Sect. II. |t After -- |g Ch. 8. |t The Rise of the East Village -- |g Ch. 9. |t New Role Models: Cookie Mueller and David Wojnarowicz -- |g Ch. 10. |t The Sexual Flaneur -- |g Ch. 11. |t Act Up -- |g Sect. III. |t Lost -- |g Ch. 12. |t Owning AIDS -- |g Ch. 13. |t Hope and Caution: Assotto Saint and Felix Gonzalez-Torres -- |g Ch. 14. |t "Contact" and the Dangers of Assimilation -- |t Epilogue: The Estate Project for Artists with AIDS. |
| 520 | |a The radical sexuality of gay American men in the 1970s is often seen as a shameful period of excess that led to the AIDS crisis. Beyond Shame claims that when the gay community divorced itself from this allegedly tainted legacy, the tragic result was an intergenerational disconnect because the original participants were unable to pass on a sense of pride and identity to younger generations. Indeed, one reason for the current rise in HIV, Moore argues, is precisely due to this destructive occurrence, which increased the willingness of younger gay men to engage in unsafe sex | ||
| 520 | |a With bathhouses, "cruising" in urban areas, and private clubs built specifically for anonymous erotic encounters, the radical sexuality of gay American men in the 1970s is often seen as a shameful period of excess that led to the AIDS crisis. In Beyond Shame, activist Patrick Moore claims that when the gay community divorced itself from this allegedly tainted legacy, the result was an intergenerational disconnect between younger and older gay men. The original participants in the 1970s' sexual culture were unable to impart a sense of pride and identity to younger generations. Indeed, one reason for the current rise in HIV, Moore argues, is precisely this destructive disconnect. Moore encourages gay men to reclaim the entirety of their heritage -- including AIDS -- so that the gay community's prevailing sense of shame and isolation will change. Lifting the veil of AIDS, Moore recasts the gay male sexual culture of the 1970s as both groundbreaking and creative, provocatively comparing extreme sex to art. In the process, he presents a powerful yet nuanced snapshot of a maligned, forgotten era, with its heady mix of sexual liberation, artistic celebrations of homosexuality, and political anger fueled by the prevalent homophobia. Moore's critical work attempts to rescue gay America's past, present, and future from a disturbing spiral of destruction and AIDS-related shame | ||
| 520 | 1 | |a "Moore encourages gay men to reclaim the entirety of their heritage - including AIDS - so that the gay community's prevailing sense of shame and isolation will change. Lifting the veil of AIDS, Moore recasts the gay male sexual culture of the 1970s as both groundbreaking and creative, provocatively comparing extreme sex to art." "In the process, he presents a powerful yet nuanced snapshot of a maligned, forgotten era, with its heady mix of sexual liberation, artistic celebrations of homosexuality, and political anger fueled by the prevalent homophobia."--BOOK JACKET | |
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