Georg Philipp Telemann

For contemporaries Telemann was the leading German composer, and a leader on the European musical scene. His fantastic energy, keen business sense, and industry ensured a steady output during an active career of over sixty years. A friend of Handel and J.S. Bach, and esteemed by both, he was a more...

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Bibliographic Details
Main Authors: Petzoldt, Richard, 1907-1974, Petzoldt, Richard, 1907-1974-
Other Authors: Fitzpatrick, Horace (Translator)
Format: Book
Language:English
German
Published: New York : Oxford University Press, 1974
New York, 1974
Subjects:
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240 1 0 |a Georg Philipp Telemann  |l English. 
245 0 0 |a Georg Philipp Telemann  |c Translated by Horace Fitzpatrick. 
260 |a New York :  |b Oxford University Press,  |c 1974 
260 |a New York,  |b Oxford University Press,  |c 1974 
300 |a xv, 255 p  |b illus.  |c 22 cm. 
300 |a xv, 255 pages :  |b illustrations ;  |c 22 cm 
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500 |a Translation of the author's Georg Philipp Telemann--Leben und Werk (Leipzig, 1967) 
504 |a Bibliography: p. 223-224 
504 |a Bibliography: pages 223-224 
504 |a "List of Telemann's available published works": p. 225-242 
504 |a "List of Telemann's available published works": pages 225-242 
505 0 |a I. Telemann's life : 1. Magdeburg -- 2. Zellerfeld -- 3. Hildesheim -- 4. Leipzig -- 5. Sorau -- 6. Elisenach -- 7. Frankfurt (main) -- 8. Hamburg 
505 0 |a II. Telemann's works : 9. Suites and concerti -- 10. Music for keyboard and small ensembles -- 11. Lieder (airs) -- 12. Opera -- 13. Cantatas -- 14. Oratorios, serenades, and passion settings -- 15. Telemann's musical style and attitude as a composer -- 16. Telemann's music today 
520 |a For contemporaries Telemann was the leading German composer, and a leader on the European musical scene. His fantastic energy, keen business sense, and industry ensured a steady output during an active career of over sixty years. A friend of Handel and J.S. Bach, and esteemed by both, he was a more than likeable character: versatile, resourceful, witty, and disarmingly self-assertive. In describing Telemann's life and career, especially in Leipzig, Frankfurt, and Hamburg, Professor Petzoldt explains the musician's status in eighteenth-century society and shows how Telemann, by dint of his gifts and prestige, rose above dependence. After his death Telemann's star waned, while Bach's rose. The author's examination of Telemann's reputation and styles emphasizes that we must try to understand eighteenth-century attitudes before we make hasty judgements and dismiss as second-rate a composer so lauded in his day. The detailed analysis of Telemann's music includes his orchestral works, chamber and instrumental music, Lieder, oratorios and Passions, cantatas, and opera. It also includes comparison with the works of such contemporaries as Handel, Bach, Keiser, Mattheson, and Carl Heinrich Graun. The account of the Hamburg opera shows Telemann as a prime mover in the development of a specifically German opera 
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