|
|
|
|
| LEADER |
03573nam a2200577M 4500 |
| 001 |
a42606ee-6b41-450d-b7a0-55ec45a5ba8b |
| 005 |
20240630000000.0 |
| 008 |
170627s2017 xx o 000 0 eng d |
| 019 |
|
|
|a 991595931
|a 992470419
|a 992734720
|a 1243109326
|
| 019 |
|
|
|a 991595931
|a 992470419
|a 992734720
|
| 020 |
|
|
|a 1443893307
|q (electronic bk.)
|
| 020 |
|
|
|a 9781443893305
|q (electronic bk.)
|
| 020 |
|
|
|z 1443898864
|
| 020 |
|
|
|z 9781443898867
|
| 035 |
|
|
|a (OCoLC)992357710
|z (OCoLC)991595931
|z (OCoLC)992470419
|z (OCoLC)992734720
|
| 035 |
|
|
|a (OCoLC)992357710
|z (OCoLC)991595931
|z (OCoLC)992470419
|z (OCoLC)992734720
|z (OCoLC)1243109326
|
| 035 |
|
9 |
|a (OCLCCM-CC)992357710
|
| 040 |
|
|
|a YDX
|b eng
|e pn
|c YDX
|d N$T
|d IDEBK
|d EBLCP
|d YDX
|d OCLCQ
|d CNCGM
|d N$T
|d OCLCF
|d CSAIL
|d OCLCA
|d OCLCQ
|d UKAHL
|d NLW
|d OCLCO
|d OCLCQ
|
| 040 |
|
|
|a YDX
|b eng
|e pn
|c YDX
|d N$T
|d IDEBK
|d EBLCP
|d YDX
|d OCLCQ
|d CNCGM
|d N$T
|d OCLCF
|d CSAIL
|d OCLCA
|d OCLCQ
|d UKAHL
|d NLW
|d OCLCO
|d OCLCQ
|
| 049 |
|
|
|a MAIN
|
| 050 |
|
4 |
|a ML1733.8.V4
|
| 072 |
|
7 |
|a PER
|x 011000
|2 bisacsh
|
| 082 |
0 |
4 |
|a 792.5094531
|2 23
|
| 100 |
1 |
|
|a Trevisan, Paola
|
| 245 |
1 |
0 |
|a Reshaping opera :
|b a critical reflection on arts management /
|c by Paola Trevisan
|
| 260 |
|
|
|a [Place of publication not identified]
|b CAMBRIDGE SCHOLARS PUB,
|c 2017
|
| 300 |
|
|
|a 1 online resource
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 520 |
|
|
|a This title is a part of the series "Schwung"; Critical Curating and Aesthetic Management for Art, Business and Politics. Conventional wisdom holds that the performing arts, due to the economic nature of the sector, are condemned to a state of permanent financial crisis. However, increasingly frequent information about the fiscal troubles of several opera houses has also led to questions about the soundness of the strategies adopted by these organizations, and about the administrative abilities of their general managers. The case narrated here (La Fenice, Venice's main opera theater), represents
|
| 596 |
|
|
|a 22
|
| 610 |
2 |
0 |
|a Teatro La Fenice
|x Management
|
| 610 |
2 |
7 |
|a Teatro La Fenice
|2 fast
|
| 650 |
|
0 |
|a Arts
|x Management
|v Case studies
|
| 650 |
|
0 |
|a Opera
|
| 650 |
|
7 |
|a Arts
|x Management
|2 fast
|
| 650 |
|
7 |
|a Economics, finance, business & management
|2 bicssc
|
| 650 |
|
7 |
|a Film, TV & radio
|2 bicssc
|
| 650 |
|
7 |
|a Management
|2 fast
|
| 650 |
|
7 |
|a Music
|2 bicssc
|
| 650 |
|
7 |
|a Opera
|2 fast
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x General
|2 bisacsh
|
| 655 |
|
4 |
|a Electronic books
|
| 655 |
|
7 |
|a Case studies
|2 fast
|= ^A3607902
|
| 655 |
|
7 |
|a Case studies
|2 fast
|
| 776 |
0 |
8 |
|i Print version:
|a Trevisan, Paola
|t Reshaping opera.
|d [Place of publication not identified], CAMBRIDGE SCHOLARS PUB, 2017
|z 1443898864
|z 9781443898867
|w (OCoLC)973765467
|
| 776 |
0 |
8 |
|i Print version:
|a Trevisan, Paola
|t Reshaping opera.
|d [Place of publication not identified], CAMBRIDGE SCHOLARS PUB, 2017
|z 1443898864
|z 9781443898867
|w (OCoLC)973765467
|
| 999 |
1 |
0 |
|i a42606ee-6b41-450d-b7a0-55ec45a5ba8b
|l a13657172
|s US-CST
|m reshaping_operacritical_reflection_on_arts_management______________________2017_______cambra________________________________________trevisan__paola____________________e
|
| 999 |
1 |
0 |
|i a42606ee-6b41-450d-b7a0-55ec45a5ba8b
|l 12350628
|s US-ICU
|m reshaping_operacritical_reflection_on_arts_management______________________2017_______cambra________________________________________trevisan__paola____________________e
|
| 999 |
1 |
1 |
|l a13657172
|s ISIL:US-CST
|t BKS
|a SUL INTERNET
|b 13657172-1001
|c INTERNET RESOURCE
|d ASIS
|x SUL
|y 13657172-1001
|p UNLOANABLE
|