Mary Lucier /
I arrived at video through performance, sculpture, photography, theater, music--mediums that evolve in time, involve a frame, and are three-dimensional. A video installation deals with time and space and placement and framing, sound, picture, movement, stillness--but in a single medium. --Mary Lucie...
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Baltimore :
Johns Hopkins University Press,
2000
Baltimore, MD : 2000 Baltimore, MD : [2000], ©2000 Baltimore, MD : c2000 Baltimore, MD : ©2000 Baltimore, Md. : 2000 Baltimore, Md. ; London : 2000 Baltimore, Md. : 2000 |
| Series: | PAJ books Art + performance
PAJ books Art + performance PAJ books Art + performance. |
| Subjects: |
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| 245 | 0 | 0 | |a Mary Lucier / |c edited by Melinda Barlow |
| 260 | |a Baltimore : |b Johns Hopkins University Press, |c 2000 | ||
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| 300 | |a 280 p. : |b ill. ; |c 24 cm | ||
| 300 | |a 280 pages : |b illustrations ; |c 24 cm | ||
| 300 | |a xii, 280 p. : |b ill. ; |c 24 cm | ||
| 300 | |a xii, 280 p., [21] p. of plates : |b ill. ; |c 24 cm | ||
| 300 | |a xii, 280 p., [22] p. of plates : |b ill. ; |c 24 cm | ||
| 300 | |a xii, 280 pages : |b illustrations ; |c 24 cm | ||
| 300 | |a xii, 280 pages, 21 unnumbered pages of plates : |b illustrations ; |c 24 cm | ||
| 300 | |a xii, 280 pages, 21 unnumbered pages of plates : |b illustrations, facsimiles ; |c 24 cm | ||
| 300 | |a xviii, 169 p. : |b ill. ; |c 24 cm | ||
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| 440 | 0 | |a PAJ books |p Art + performance | |
| 490 | 1 | |a PAJ books. Art + performance | |
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Chronology : p. 263-271 | ||
| 504 | |a Includes bibliographical references (p. 273-280) | ||
| 504 | |a Includes bibliographical references (pages 273-280) | ||
| 504 | |a Includes bibliographical references (pages [273]-280) | ||
| 505 | 0 | 0 | |g I |t Early Conceptual and Performance Works -- |t Polaroid Image Series (1969-74) / |r Mary Lucier |g 23 -- |t Mary Lucier at Lennon, Weinberg (1997) / |r Nancy Princenthal |g 24 -- |t Media Sculptures: Maps of Space (1972-1974) / |r Mary Lucier |g 26 -- |t Mapping Space, Sculpting Time: Mary Lucier and the Double Landscape (1997) / |r Melinda Barlow |g 27 -- |t Journal of Private Lives (1972) / |r Mary Lucier |g 48 -- |t Concerts in Slow Motion (1972) / |r Tom Johnson |g 49 -- |t Red Herring Journal (The Boston Strangler Was a Woman) (1972) / |r Mary Lucier |g 51 -- |t Spoken Text from Red Herring Journal (The Boston Strangler Was a Woman) (1972) / |r Mary Lucier |g 52 -- |t A Portrait of Rosa Mendez in 1975 (1971-1974) / |r Mary Lucier |g 59 -- |t Fire Writing (1975-1976) / |r Mary Lucier |g 63 -- |g II |t Collaborations -- |t I Am Sitting in a Room (1969) [score] / |r Alvin Lucier |g 67 -- |t Hymn (1970) / |r Alvin Lucier, Mary Lucier |g 69 -- |t The Occasion of Her First Dance and How She Looked (1973) / |r Mary Lucier, Cecilia Sandoval |g 70 -- |t In the blink of an eye.../(amphibian dreams)/"If I could fly I would fly" (1987) / |r Mary Lucier, Elizabeth Streb |g 73 -- |t Daring Mix of Water, Dance, Video (1987) / |r Christine Temin |g 75 -- |t MASS (1990) / |r Mary Lucier, Elizabeth Streb |g 77 -- |t Momentum, Balance, and the Violence of Gravity: MASS, by Mary Lucier and Elizabeth Streb (1991) / |r Tom Whiteside |g 79 -- |g III |t Installations, Sculptures, and Environments -- |t Salt (1971) / |r Mary Lucier |g 89 -- |t "Realsculpture" at St. Clements (1971) / |r William E. Collins |g 91 -- |t Air Writing (1975) / |r Mary Lucier |g 94 -- |t Dawn Burn (1975-76) / |r Mary Lucier |g 96 -- |t "Dawn Burn" (1994) / |r Robert Riley |g 98 -- |t Paris Dawn Burn (1977) / |r Mary Lucier |g 100 -- |t Mary Lucier, The Kitchen (1978) / |r Richard Lorber |g 101 -- |t Laser Burning Video (1977)/Untitled Display System (1977/1997)/Bird's Eye (1978) / |r Mary Lucier |g 104 -- |t Mary Lucier's Art: Light as Visual Image (1979) / |r Victor Ancona |g 107 -- |t "Bird's Eye" (1979) / |r Arthur Tsuchiya |g 109 -- |t Equinox/A Color Dawn Burn (1979) / |r Mary Lucier |g 111 -- |t "Equinox/A Color Dawn Burn" (1979) / |r Grace Glueck |g 113 -- |t Planet (1980) / |r Mary Lucier |g 114 -- |t Mary Lucier's Elemental Investigations: Planet (1982) / |r Martha Gever |g 116 -- |t Denman's Col (Geometry) (1981) / |r Mary Lucier |g 119 -- |t Mary Lucier's Elemental Investigations: Denman's Col (Geometry) (1982) / |r Marita Sturken |g 122 -- |t Mary Lucier at the Whitney Museum (1982) / |r Ann-Sargent Wooster |g 125 -- |t Ohio at Giverny (1983) / |r Mary Lucier |g 127 -- |t Viewpoints: Mary Lucier (1987) / |r Bruce Jenkins |g 129 -- |t Through Veils of Light (1995) / |r Kerri Sakamoto |g 131 -- |t Painting the Image, Framing the Painting: Video Works by Mary Lucier (1996) / |r Maureen Turim |g 135 -- |t Wintergarden (1984) / |r Mary Lucier |g 144 -- |t Mary Lucier (1984) / |r Charles Hagen |g 145 -- |t Wilderness (1986) / |r Mary Lucier |g 147 -- |t Exploring "Wilderness" of Electronic Art (1988) / |r Christopher Knight |g 148 -- |t Mary Lucier (1989) / |r John Russell |g 151 -- |t Mary Lucier (1990) / |r John Miller |g 153 -- |t Asylum (1986/1991) / |r Mary Lucier |g 155 -- |t Refuse Refuge (1991) / |r Arlene Raven |g 156 -- |t Mary Lucier (1991) / |r Kirby Gookin |g 160 -- |t Noah's Raven (1992-1993) / |r Mary Lucier |g 162 -- |t Notes and Journal Entries for Noah's Raven (1993) / |r Mary Lucier |g 164 -- |t Noah's Raven and the Contradictions of Landscape (1993) / |r Eleanor Heartney |g 168 -- |t Oblique House (Valdez) (1993) / |r Mary Lucier |g 181 -- |t The Architecture of Image and Sound: Dwelling in the Work of Mary Lucier (1995) / |r Melinda Barlow |g 183 -- |t Last Rites (Positano) (1995) / |r Mary Lucier |g 192 -- |t The Unsolved Mysteries of Memory (1995) / |r Charles Hagen |g 194 -- |t Mary Lucier, Lennon, Weinberg, Inc. (1995) / |r Jenifer P. Borum |g 197 -- |t Aspects of the Fossil Record, or From Here On, Dance (1996) / |r Mary Lucier |g 199 -- |t Aspects of the Fossil Record (1996) / |r Annette Barbier |g 200 -- |t House by the Water (1997) / |r Mary Lucier |g 201 -- |t House by the Water (1998) / |r John Beardsley |g 202 -- |g IV |t Interviews -- |t An Interview with Mary Lucier (1985) / |r Nancy Miller |g 209 -- |t An Interview with Mary Lucier (1986) / |r Margaret Morse |g 217 -- |t Mary Lucier (1990) / |r Peter Doroshenko |g 226 -- |t Texture, Grace, and Drama: An Interview with Mary Lucier (1998) / |r Nicholas Drake |g 232 -- |g V |t Essays, Talks, and Notes by Mary Lucier -- |t Organic (1978) |g 241 -- |t Landscape, Culture, and the Fossil Record (1988/1989) |g 246 -- |t Light and Death (1991) |g 249 -- |t Virtually Real (1995) |g 255 -- |t Notes for a Panel Discussion: Art/Sci '98 Conference at Cooper Union (1998) |g 258 |
| 505 | 0 | 0 | |g I |t Early Conceptual and Performance Works -- |t Polaroid Image Series (1969-74) / |r Mary Lucier |g 23 -- |t Mary Lucier at Lennon, Weinberg (1997) / |r Nancy Princenthal |g 24 -- |t Media Sculptures: Maps of Space (1972-1974) / |r Mary Lucier |g 26 -- |t Mapping Space, Sculpting Time: Mary Lucier and the Double Landscape (1997) / |r Melinda Barlow |g 27 -- |t Journal of Private Lives (1972) / |r Mary Lucier |g 48 -- |t Concerts in Slow Motion (1972) / |r Tom Johnson |g 49 -- |t Red Herring Journal (The Boston Strangler Was a Woman) (1972) / |r Mary Lucier |g 51 -- |t Spoken Text from Red Herring Journal (The Boston Strangler Was a Woman) (1972) / |r Mary Lucier |g 52 -- |t A Portrait of Rosa Mendez in 1975 (1971-1974) / |r Mary Lucier |g 59 -- |t Fire Writing (1975-1976) / |r Mary Lucier |g 63 -- |g II |t Collaborations -- |t I Am Sitting in a Room (1969) [score] / |r Alvin Lucier |g 67 -- |t Hymn (1970) / |r Alvin Lucier, Mary Lucier |g 69 -- |t Occasion of Her First Dance and How She Looked (1973) / |r Mary Lucier, Cecilia Sandoval |g 70 -- |t In the blink of an eye ... /(amphibian dreams)/"If I could fly I would fly" (1987) / |r Mary Lucier, Elizabeth Streb |g 73 -- |t Daring Mix of Water, Dance, Video (1987) / |r Christine Temin |g 75 -- |t MASS (1990) / |r Mary Lucier, Elizabeth Streb |g 77 -- |t Momentum, Balance, and the Violence of Gravity: MASS, by Mary Lucier and Elizabeth Streb (1991) / |r Tom Whiteside |g 79 -- |g III |t Installations, Sculptures, and Environments -- |t Salt (1971) / |r Mary Lucier |g 89 -- |t "Realsculpture" at St. Clements (1971) / |r William E. Collins |g 91 -- |t Air Writing (1975) / |r Mary Lucier |g 94 -- |t Dawn Burn (1975-76) / |r Mary Lucier |g 96 -- |t "Dawn Burn" (1994) / |r Robert Riley |g 98 -- |t Paris Dawn Burn (1977) / |r Mary Lucier |g 100 -- |t Mary Lucier, The Kitchen (1978) / |r Richard Lorber |g 101 -- |t Laser Burning Video (1977)/Untitled Display System (1977/1997)/Bird's Eye (1978) / |r Mary Lucier |g 104 -- |t Mary Lucier's Art: Light as Visual Image (1979) / |r Victor Ancona |g 107 -- |t "Bird's Eye" (1979) / |r Arthur Tsuchiya |g 109 -- |t Equinox/A Color Dawn Burn (1979) / |r Mary Lucier |g 111 -- |t "Equinox/A Color Dawn Burn" (1979) / |r Grace Glueck |g 113 -- |t Planet (1980) / |r Mary Lucier |g 114 -- |t Mary Lucier's Elemental Investigations: Planet (1982) / |r Martha Gever |g 116 -- |t Denman's Col (Geometry) (1981) / |r Mary Lucier |g 119 -- |t Mary Lucier's Elemental Investigations: Denman's Col (Geometry) (1982) / |r Marita Sturken |g 122 -- |t Mary Lucier at the Whitney Museum (1982) / |r Ann-Sargent Wooster |g 125 -- |t Ohio at Giverny (1983) / |r Mary Lucier |g 127 -- |t Viewpoints: Mary Lucier (1987) / |r Bruce Jenkins |g 129 -- |t Through Veils of Light (1995) / |r Kerri Sakamoto |g 131 -- |t Painting the Image, Framing the Painting: Video Works by Mary Lucier (1996) / |r Maureen Turim |g 135 -- |t Wintergarden (1984) / |r Mary Lucier |g 144 -- |t Mary Lucier (1984) / |r Charles Hagen |g 145 -- |t Wilderness (1986) / |r Mary Lucier |g 147 -- |t Exploring "Wilderness" of Electronic Art (1988) / |r Christopher Knight |g 148 -- |t Mary Lucier (1989) / |r John Russell |g 151 -- |t Mary Lucier (1990) / |r John Miller |g 153 -- |t Asylum (1986/1991) / |r Mary Lucier |g 155 -- |t Refuse Refuge (1991) / |r Arlene Raven |g 156 -- |t Mary Lucier (1991) / |r Kirby Gookin |g 160 -- |t Noah's Raven (1992-1993) / |r Mary Lucier |g 162 -- |t Notes and Journal Entries for Noah's Raven (1993) / |r Mary Lucier |g 164 -- |t Noah's Raven and the Contradictions of Landscape (1993) / |r Eleanor Heartney |g 168 -- |t Oblique House (Valdez) (1993) / |r Mary Lucier |g 181 -- |t Architecture of Image and Sound: Dwelling in the Work of Mary Lucier (1995) / |r Melinda Barlow |g 183 -- |t Last Rites (Positano) (1995) / |r Mary Lucier |g 192 -- |t Unsolved Mysteries of Memory (1995) / |r Charles Hagen |g 194 -- |t Mary Lucier, Lennon, Weinberg, Inc. (1995) / |r Jenifer P. Borum |g 197 -- |t Aspects of the Fossil Record, or From Here On, Dance (1996) / |r Mary Lucier |g 199 -- |t Aspects of the Fossil Record (1996) / |r Annette Barbier |g 200 -- |t House by the Water (1997) / |r Mary Lucier |g 201 -- |t House by the Water (1998) / |r John Beardsley |g 202 -- |g IV |t Interviews -- |t An Interview with Mary Lucier (1985) / |r Nancy Miller |g 209 --- |t An Interview with Mary Lucier (1986) / |r Margaret Morse |g 217 -- |t Mary Lucier (1990) / |r Peter Doroshenko |g 226 -- |t Texture, Grace, and Drama: An Interview with Mary Lucier (1998) / |r Nicholas Drake |g 232 -- |g V |t Essays, Talks, and Notes by Mary Lucier -- |t Organic (1978) |g 241 -- |t Landscape, Culture, and the Fossil Record (1988/1989) |g 246 -- |t Light and Death (1991) |g 249 -- |t Virtually Real (1995) |g 255 -- |t Notes for a Panel Discussion: Art/Sci '98 Conference at Cooper Union (1998) |g 258 |
| 520 | |a I arrived at video through performance, sculpture, photography, theater, music--mediums that evolve in time, involve a frame, and are three-dimensional. A video installation deals with time and space and placement and framing, sound, picture, movement, stillness--but in a single medium. --Mary Lucier Internationally recognized for her visually elegant, thought-provoking video art, Mary Lucier was a sculptor, photographer, and performance artist before she turned to video in 1973. In Mary Lucier, the first book published on Lucier's work, Melinda Barlow brings together a selection of Lucier's previously unpublished writings and drawings along with essays, reviews, interviews, and photographs of her ephemeral installations and performances to create an absorbing portrait of one of America's most accomplished video pioneers. Since 1970, when Lucier exhibited her first series of photographs in New York, she has been intriguing viewers with an aesthetic that perceives humanity and technology as equally organic, one whose unique blend of conceptual rigor and sensual lyricism is as compelling as it is deeply moving. Whether exploring the limitations of video technology, investigating Am | ||
| 520 | 1 | |a "Mary Lucier was a sculptor, photographer, and performance artist before she turned to video in 1973. In Mary Lucier, the first book published on Lucier's work, Melinda Barlow brings together a selection of Lucier's previously unpublished writings and drawings along with essays, reviews, interviews, and photographs of her ephemeral installations and performances to create a portrait of one of America's most accomplished video pioneers." "Since 1970, when Lucier exhibited her first series of photographs in New York, she has been intriguing viewers with an aesthetic that perceives humanity and technology as equally organic, one whose unique blend of conceptual rigor and sensual lyricism is as compelling as it is deeply moving. Whether exploring the limitations of video technology, investigating America's complex relation to landscape, or examining how people in different places survive catastrophe, Lucier's work has been concerned with the most basic human issues: the cycles of birth, death, and regeneration; the necessity of memory; and the inevitability of decay."--BOOK JACKET | |
| 520 | 1 | |a "Mary Lucier was a sculptor, photographer, and performance artist before she turned to video in 1973. In Mary Lucier, the first book published on Lucier's work, Melinda Barlow brings together a selection of Lucier's previously unpublished writings and drawings along with essays, reviews, interviews, and photographs of her ephemeral installations and performances to create a portrait of one of America's most accomplished video pioneers." | |
| 520 | 8 | |a Whether exploring the limitations of video technology, investigating America's complex relation to landscape, or examining how people in different places survive catastrophe, Lucier's work has been concerned with the most basic human issues: the cycles of birth, death, and regeneration; the necessity of memory; and the inevitability of decay."--BOOK JACKET | |
| 520 | 8 | |a "Since 1970, when Lucier exhibited her first series of photographs in New York, she has been intriguing viewers with an aesthetic that perceives humanity and technology as equally organic, one whose unique blend of conceptual rigor and sensual lyricism is as compelling as it is deeply moving | |
| 520 | 8 | |a "Since 1970, when Lucier exhibited her first series of photographs in New York, she has been intriguing viewers with an aesthetic that perceives humanity and technology as equally organic, one whose unique blend of conceptual rigor and sensual lyricism is as compelling as it is deeply moving. Whether exploring the limitations of video technology, investigating America's complex relation to landscape, or examining how people in different places survive catastrophe, Lucier's work has been concerned with the most basic human issues: the cycles of birth, death, and regeneration; the necessity of memory; and the inevitability of decay."--Jacket | |
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| 600 | 1 | 0 | |a Lucier, Mary |
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| 999 | 1 | 0 | |i 9ec235db-4ca7-4541-b33e-741bcd2f3d27 |l 2772642 |s US-NNC |m mary_lucier________________________________________________________________2000_______johnsa___________________________________________________________________________p |
| 999 | 1 | 0 | |i 9ec235db-4ca7-4541-b33e-741bcd2f3d27 |l 9927633473503681 |s US-PU |m mary_lucier________________________________________________________________2000_______johnsa___________________________________________________________________________p |
| 999 | 1 | 0 | |i 9ec235db-4ca7-4541-b33e-741bcd2f3d27 |l 991028614089706966 |s US-RPB |m mary_lucier________________________________________________________________2000_______johnsa___________________________________________________________________________p |
| 999 | 1 | 1 | |l a4400245 |s ISIL:US-CST |t BKS |a ART STACKS |b 36105028480429 |c N6537 .L83 A4 2000 |d LC |x STKS-MONO |y 36105028480429 |p LOANABLE |
| 999 | 1 | 1 | |l 4625980 |s ISIL:US-CTY |t BKS |a sml |b 39002053262359 |c N6537 L83 A4X 2000 (LC) |g 1 |v 1 piece |x circ |y 3666592 |p LOANABLE |
| 999 | 1 | 1 | |l 4312320 |s ISIL:US-ICU |t BKS |a JRL-Gen |b 54086454 |c N6537.L83 A4 2000 |d Library of Congress classification |y 6894807 |p LOANABLE |
| 999 | 1 | 1 | |l 990009439820106761 |s ISIL:US-MCM |t BKS |a RTC STACK |b 39080016447507 |c N6537.L83.A4 2000 |d 0 |x BOOK |y 23467246080006761 |p LOANABLE |
| 999 | 1 | 1 | |l 991020197509707861 |s ISIL:US-MDBJ |t BKS |a ShMSEL shmmain |b 31151019232697 |c N6537.L83 A4 2000 |d 0 |x jhbooks |y 23412757630007861 |p LOANABLE |
| 999 | 1 | 1 | |l 990084447730203941 |s ISIL:US-MH |t BKS |a FAL HD |b FL4HE5 |c FA11314.534.1 |d 7 |x 01 BOOK |y 232053754980003941 |p LOANABLE |
| 999 | 1 | 1 | |l 990084447730203941 |s ISIL:US-MH |t BKS |a WID WIDLC |b 32044021886171 |c N6537.L83 A4 2000 |d 0 |x 01 BOOK |y 232053754960003941 |p LOANABLE |
| 999 | 1 | 1 | |l 990027507960108501 |s ISIL:US-NCD |t BKS |a LILLY PLI |b D01364487X |c N6537.L83 A4 2000 |d 0 |x BOOK |y 23715599230008501 |p UNLOANABLE |
| 999 | 1 | 1 | |l 991021739469705706 |s ISIL:US-NHD |t BKS |a SHERMAN STACKS |b 33311017105042 |c N6537.L83 A4 2000 |d 0 |x BOOK |y 23153368250005706 |p LOANABLE |
| 999 | 1 | 1 | |l 3860361 |s ISIL:US-NIC |t BKS |a fine |b 31924087084814 |c N6537.L83 A4x 2000 |d lc |k 1 |x Book |y 22d55e0e-a85e-4401-a7f9-bbcc9cc41f5f |p LOANABLE |
| 999 | 1 | 1 | |l 9932576443506421 |s ISIL:US-NJP |t BKS |a firestone stacks |b 32101041368919 |c N6537.L82 B374 2000 |d 0 |x Gen |y 23730149800006421 |p LOANABLE |
| 999 | 1 | 1 | |l 9932576443506421 |s ISIL:US-NJP |t BKS |a marquand pj |b 32101095511463 |c N6537.L82 B374 2000 |d 0 |x Closed |y 23730149750006421 |p UNLOANABLE |
| 999 | 1 | 1 | |l 2772642 |s ISIL:US-NNC |t BKS |a fax |b 0059799471 |c NH1215 L96 M36 |y 3128649 |p UNLOANABLE |
| 999 | 1 | 1 | |l 9927633473503681 |s ISIL:US-PU |t BKS |a FisherFAL fine |b 31198028245426 |c N6537.L83 A4 2000 |d 0 |x BOOK |y 23386957590003681 |p LOANABLE |
| 999 | 1 | 1 | |l 991028614089706966 |s ISIL:US-RPB |t BKS |a ROCK RKSTORAGE |b 31236015717435 |c N6537.L83 A4 2000 |d 0 |y 23322619030006966 |p LOANABLE |