Das wassergewordene Kanonbuch : für sechs Stimmen (2017) /
| Main Author: | |
|---|---|
| Format: | Musical Score Book |
| Language: | Latin German French Undetermined |
| Published: |
Leipzig :
Henry Litolff's Verlag : C.F. Peters,
[2017]
|
| Subjects: |
| LEADER | 03863ncm a2200541Ii 4500 | ||
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| 024 | 2 | |a 9790014126827 |q (pbk.) : |c EUR75.00 | |
| 024 | 2 | |a M014126827 |q (pbk.) | |
| 028 | 2 | 2 | |a 33946 |b Henry Litolff's Verlag/C.F. Peters |
| 028 | 3 | 0 | |a 14209 |b Henry Litolff's Verlag/C.F. Peters |
| 028 | 3 | 0 | |a EP 14209 |b Henry Litolff's Verlag/C.F. Peters |
| 035 | |a (GyWOH)har175021249 | ||
| 035 | |a (OCoLC)1017092331 | ||
| 035 | |a (OCoLC)on1017092331 | ||
| 040 | |a OHX |b eng |e rda |c OHX |d INU |d OCLCF | ||
| 041 | 0 | |a lat |a ger |a fre |a und |g eng | |
| 046 | |k 2017 |2 edtf | ||
| 050 | 4 | |a 1529.5 | |
| 072 | 7 | |a M |2 lcco | |
| 100 | 1 | |a Tsao, Ming, |e composer | |
| 245 | 1 | 4 | |a Das wassergewordene Kanonbuch : |b für sechs Stimmen (2017) / |c Ming Tsao |
| 264 | 1 | |a Leipzig : |b Henry Litolff's Verlag : |b C.F. Peters, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 score (103 pages) ; |c 23 x 31 cm | ||
| 336 | |a notated music |b ntm |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 348 | |a score |2 rda | ||
| 382 | 0 | 1 | |a soprano voice |n 1 |a mezzo-soprano voice |n 1 |a alto voice |n 1 |a tenor voice |n 1 |a baritone voice |n 1 |a bass voice |n 1 |s 6 |2 lcmpt |
| 500 | |a For soprano, mezzo-soprano, alto, tenor, baritone, and bass | ||
| 500 | |a Includes explanation of symbols in English | ||
| 500 | |a Latin, German and French words; in part vocalise | ||
| 500 | |a Publisher's Number: Edition Peters, Nr. 14209 (additional number on cover: EP 14209) | ||
| 500 | |a Text from early Renaissance motets and masses | ||
| 505 | 0 | |a Noli me tangere = Touch me not -- Die Zahlen -- Hunc discas morem, si vis cantare tenorem: ut iacet attente, cantetur subdiapenthe = Learn the customs, if the tenor is to be sung: as it stands attentively, sing at the fourth -- Weissgrau -- Dum tria percurris quatuor valet,. Tertius unum subque diapason sed facit alba moras = While three have traversed, four counts. In the third octave but delays one under a white -- Wo? -- Omnia per circuitum = All around -- Tenor crescit in duplo = Tenor increases twice -- Canon in diapente = Canon at the fifth -- Cancer eat plenus sed redeat medius = Let the crab go full but return in half -- Reverte citius = Go back faster -- In gradus undenos descendant multiplicantes consimilique modo crescent antipodes uno = They descend eleven steps multiplying, and in the same manner they increase in the opposite direction -- Scinde vestimenta tua redeundo = Rend your garments in returning -- Fuga trium temporium in diapente remissum = Fugue three times at the fifth relaxed -- Pigmeus hic crescat, gigas decrescere debat/Incauda cerebrum, en est mirabile monstrum = Let the pygmy grow here, the giant should decrease/The brain is in the tail, behold the wonderous monster -- Canon ad septimam = Canon at the seventh -- Das Geschriebene -- Noctem verterunt in deim/Etrursum post tenbas spero lucem = They huave turned night into day, and after darkness I hope for light again -- Keine Sandkunst -- Finis est principium = The end is the beginning | |
| 546 | |b Staff notation | ||
| 650 | 0 | |a Canons, fugues, etc. (Voices (6)) | |
| 650 | 0 | |a Vocal sextets, Unaccompanied | |
| 650 | 7 | |a Canons, fugues, etc. (Voices (6)) |2 fast | |
| 650 | 7 | |a Vocal sextets, Unaccompanied |2 fast | |
| 655 | 7 | |a Canons (Music) |2 fast | |
| 655 | 7 | |a Canons (Music) |2 lcgft | |
| 655 | 7 | |a Scores |2 fast | |
| 655 | 7 | |a Scores |2 lcgft | |
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