Thomas Lawrence : regency power & brilliance /

Thomas Lawrence (1769-1830) was the pre-eminent portraitist of the Regency period, depicting monarchs, political leaders, aristocratic families, society beauties and actresses with flair. This important book explores Lawrence's political friendships and allegiances, along with his exceptional r...

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Bibliographic Details
Corporate Authors: National Portrait Gallery (Great Britain), Yale Center for British Art
Other Authors: Albinson, A. Cassandra, Funnell, Peter, 1956-, Lawrence, Thomas, 1769-1830, Peltz, Lucy
Format: Book
Language:English
Published: London : New Haven [Conn.] : Yale Center for British Art, National Portrait Gallery ; In association with Yale University Press, c2010
New Haven : London : New Haven : Yale Center for British Art ; National Portrait Gallery ; in association with Yale University Press, 2010
New Haven : London : New Haven : Yale Center for British Art ; National Portrait gellery ; in association with Yale University Press, 2010
New Haven : Yale Center for British Art in association with Yale University Press, 2010
[New Haven, Conn.] : London : Yale Center for British Art ; National Portrait Gallery, c2010
Series:Yale Center for British Art series
Subjects:
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245 0 0 |a Thomas Lawrence :  |b regency power & brilliance /  |c edited by A. Cassandra Albinson, Peter Funnell and Lucy Peltz 
246 3 |a Regency power and brilliance 
246 3 |a Thomas Lawrence Regency power and brilliance 
260 |a London :  |b Yale Center for British Art, National Portrait Gallery ;  |a New Haven [Conn.] :  |b In association with Yale University Press,  |c c2010 
260 |a New Haven :  |b Yale Center for British Art ;  |a London :  |b National Portrait Gallery ;  |a New Haven :  |b in association with Yale University Press,  |c 2010 
260 |a New Haven :  |b Yale Center for British Art ;  |a London :  |b National Portrait gellery ;  |a New Haven :  |b in association with Yale University Press,  |c 2010 
260 |a New Haven :  |b Yale Center for British Art in association with Yale University Press,  |c 2010 
260 |a [New Haven, Conn.] :  |b Yale Center for British Art ;  |a London :  |b National Portrait Gallery,  |c c2010 
300 |a xxi, 314 p. :  |b ill. (chiefly col.) ;  |c 30 cm 
300 |a xxvi, 314 p. :  |b col. ill. ;  |c 30 cm 
300 |a xxvi, 314 pages :  |b color illustrations ;  |c 30 cm 
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490 0 |a Yale Center for British Art series 
500 |a Issued in connection with an exhibition organized by the Yale Center for British Art and the National Portrait Gallery, London and on view at the National Portrait Gallery from 21 October 2010 to 23 January 2011 and at the Yale Center for British Art from 24 February to 5 June 2011 
500 |a Issued in connection with an exhibition organized by the Yale Center for British Art and the National Portrait Gallery, London 
500 |a Issued in connection with an exhibition organized by the Yale Center for British Art and the National Portrait Gallery, London, on view at the National Portrait Gallery from 21 October 2010 to 23 January 2011 and at the Yale Center for British Art from 24 February to 5 June 2011 
500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
500 |a "In association with Yale University Press, New Haven and London." 
500 |a "This publication accompanies the exhibition "Thomas Lawrence: Regency power and brilliance" co-organized by the Yale Center for Britiish Art and the National Portrait Gallery, London, on view at the National Portrait Gallery from 21 October 2010 to 23 January 2011 and at the Yale Center for British Art from 24 February to 5 June 2011"--Title page verso 
500 |a "This publication accompanies the exhibition "Thomas Lawrence: Regency power and brilliance" co-organized by the Yale Center for Britiish Art and the National Portrait Gallery, London, on view at the National Portrait Gallery from 21 October 2010 to 23 January 2011 and at the Yale Center for British Art from 24 February to 5 June 2011"--t.p. verso 
504 |a Includes bibliographical references (p. 302-306) and index 
504 |a Includes bibliographical references (pages 302-306) and index 
504 |a Includes bibliographical references and index 
505 0 0 |t Lawrence among men : friends, patrons and the male portrait /  |r Peter Funnell --  |t The construction of desire : Lawrence's portraits of women /  |r A. Cassandra Albinson --  |t "Charming little brats" : Lawrence's portraits of children /  |r Marcia Pointon --  |g Catalogue  |g Arrival on the scene : the 1970's ;  |g Delineating a life : Lawrence as draughtsman ;  |g New ambition : experimentation and innovation in portraiture practice ;  |g Lawrence in Europe : international career and reputation ;  |g Court, academy and society : the 1820s --  |g Photographic copyright and credits --  |t A survey of the literature /  |r A. Cassandra Albinson. 
505 0 0 |t Lawrence among men :  |t friends, patrons and the male portrait /  |r Peter Funnell --  |t The construction of desire :  |t Lawrence's portraits of women /  |r A. Cassandra Albinson --  |t "Charming little brats" :  |t Lawrence's portraits of children /  |r Marcia Pointon --  |t Catalogue. Arrival on the scene :  |t the 1970's ;  |t Delineating a life :  |t Lawrence as draughtsman ;  |t New ambition :  |t experimentation and innovation in portraiture practice ;  |t Lawrence in Europe :  |t international career and reputation ;  |t Court, academy and society :  |t the 1820s --  |g Photographic copyright and credits --  |t A survey of the literature /  |r A. Cassandra Albinson 
520 0 |a Thomas Lawrence (1769-1830) was the pre-eminent portraitist of the Regency period, depicting monarchs, political leaders, aristocratic families, society beauties and actresses with flair. This important book explores Lawrence's political friendships and allegiances, along with his exceptional role as witness to significant historical events, and contrasts these with his remarkable ability to depict the charm and innocence of childhood. Elected President of the Royal Academy in 1820, Lawrence was instrumental in establishing the status of the artist in nineteenth-century Britain 
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