Painting and publishing as cultural industries : the fabric of creativity in the Dutch Republic, 1580-1800 /

The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in...

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Bibliographic Details
Format: Book
Language:English
Published: Amsterdam : Amsterdam University Press, [2017]
Series:Amsterdam studies in the Dutch golden age
Subjects:
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245 0 0 |a Painting and publishing as cultural industries :  |b the fabric of creativity in the Dutch Republic, 1580-1800 /  |c Claartje Rasterhoff 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (344 pages) :  |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Amsterdam studies in the Dutch golden age 
504 |a Includes bibliographical references (pages 307-336) and index 
505 0 |a Introduction -- Part I. Publishing -- 1580-1610: window of opportunity -- 1610-1650: unlocking potential -- 1610-1650: buzz and pipelines -- 1650-1800: mature markets -- Part II. Painting -- 1580-1610: a period of transition -- 1610-1650: unlocking potential -- 1610-1650: buzz and pipelines -- 1650-1800: mature markets -- Conclusion 
520 |a The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom 
650 0 |a Art and industry  |z Netherlands  |x History 
650 0 |a Art  |x Economic aspects  |z Netherlands  |x History 
650 0 |a Painting  |z Netherlands  |x History 
650 0 |a Publishers and publishing  |z Netherlands  |x History 
650 6 |a Art et industrie  |z Pays-Bas  |x Histoire 
650 6 |a Art  |x Aspect économique  |z Pays-Bas  |x Histoire 
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650 7 |a Art  |x Economic aspects  |2 fast 
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650 7 |a Buchdruck  |2 gnd 
650 7 |a Malerei  |2 gnd 
650 7 |a Painting  |2 fast 
650 7 |a Publishers and publishing  |2 fast 
650 7 |a Wirtschaft  |2 gnd 
651 7 |a Netherlands  |2 fast 
651 7 |a Niederlande  |2 gnd 
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776 0 8 |i Print version:  |t Painting and publishing as cultural industries  |d Amsterdam : Amsterdam University Press, [2017]  |w (DLC) 2016514171 
830 0 |a Amsterdam studies in the Dutch golden age 
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