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|a TR980
|b .M65 2003
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|a 686.2/327
|2 21
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| 100 |
1 |
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|a Morrish, David
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| 245 |
1 |
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|a Copper plate photogravure :
|b demystifying the process /
|c David Morrish and Marlene MacCallum
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| 250 |
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|a 1st edition
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| 260 |
|
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|a Amsterdam ;
|a Boston :
|b Focal Press,
|c c2003
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| 300 |
|
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|a 1 online resource (235 pages)
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 347 |
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|a text file
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| 504 |
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|a Includes bibliographical references (p. [193]-194) and index
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|a Cover; Contents; Preface; Acknowledgments; Introduction; Chapter 1. A Brief History; Origins; Artist-Practitioners; Chapter 2. Making the Film Positive; The Process; Equipment and Supplies; Procedure; Contrast Range; Summary; Troubleshooting; Chapter 3. Sensitizing the Gelatin Tissue; Equipment and Supplies; Preparatory Steps; Sensitizing the Tissue; Summary; Troubleshooting; Chapter 4. Preparing the Copper; Equipment and Supplies; Procedure; Summary; Troubleshooting; Chapter 5. Exposing the Gelatin Tissue; Equipment and Supplies; Procedure; Summary; Troubleshooting
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| 505 |
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|a A Note on Using Screens or Applying Dust-Grain Aquatints; Chapter 6. Adhering and Developing the Gelatin Tissue; Required Solutions; Equipment and Supplies Setup; Procedure; Summary; Troubleshooting; Chapter 7. Preparing to Etch; Preparing the Ferric Chloride; Summary; Staging the Plate; Summary; Chapter 8. Etching the Plate; The Process; Equipment and Supplies; Procedure; Summary; Troubleshooting; Chapter 9. The Printing Process; Papers; Inks and Additives; Solvents; Inking and Wiping Supplies; The Intaglio Press, Press Blankets, and Blotters; Making the First Proof; Summary; Troubleshooting
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| 505 |
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|a Reworking the Plate; Editioning the Print; Chapter 10. Alternative and Historic Methods and Materials; Altering Positives by Hand; Digital Positives; Direct Gravure; Saving a Thin Positive; Stripping Alternative; Sensitizer Additives; Alternative Dichromates and Concentrations; Alternative Ways to Adhere Tissue to Plexiglas and Copper; Aquatints: Rosin vs. Asphaltum; Applying an Asphaltum Aquatint; Applying a Rosin Aquatint; The Dry Lay-Down Method of Adhering Gelatin Tissue to the Plate; Alternative Materials for Staging the Plate; Steel Facing the Plate
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| 520 |
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|a Copper Plate Photogravure describes in comprehensive detail the technique of traditional copper plate photogravure as would be practiced by visual artists using normally available facilities and materials. Attention is paid to step-by-step guidance through the many stages of the process. A detailed manual of technique, Copper Plate Photogravure also offers the history of the medium and reference to past alternative methods of practice.Copper Plate Photogravure: Demystifying the Process is part of the current revitalization of one of the most satisfyingly beautiful image-making processe
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| 546 |
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|a English
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| 588 |
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|a Description based upon print version of record
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| 650 |
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0 |
|a Copperplates
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| 650 |
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|a Photogravure
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| 700 |
1 |
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|a MacCallum, Marlene
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| 776 |
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|z 0-240-80527-5
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| 776 |
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|z 1-138-13124-5
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|m copper_plate_photogravuredemystifying_the_process__________________________2003____1__focala________________________________________morrish__david_____________________e
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