Gego : weaving the space in between /
"This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912-94), known as Gego. In locating the artist's contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor expl...
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Book |
| Language: | English |
| Published: |
New Haven :
Yale University Press,
2023
New Haven ; London : 2023 New Haven ; London : [2023] |
| Subjects: |
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| 100 | 1 | |a Amor, Monica, |e author |0 (SIRSI)1326762 | |
| 100 | 1 | |a Amor, Monica, |e author |0 http://viaf.org/viaf/17130625 | |
| 100 | 1 | |a Amor, Monica, |e author |4 http://id.loc.gov/vocabulary/relators/aut | |
| 100 | 1 | |a Amor, Monica, |e author | |
| 245 | 1 | 0 | |a Gego : |b weaving the space in between / |c Mónica Amor |
| 246 | 3 | |a Weaving the space in between | |
| 246 | 3 | 0 | |a Weaving the space in between |
| 264 | 1 | |a New Haven : |b Yale University Press, |c 2023 | |
| 264 | 1 | |a New Haven ; |a London : |b Yale University Press, |c 2023 | |
| 264 | 1 | |a New Haven ; |a London : |b Yale University Press, |c [2023] | |
| 264 | 4 | |c ©2023 | |
| 300 | |a xi, 275 pages : |b illustrations (black and white, and color) ; |c 28 cm | ||
| 300 | |a xi, 275 pages : |b illustrations (black and white, and colour) ; |c 28 cm | ||
| 300 | |a xi, 275 pages : |b illustrations (black and white, and colour) ; |c 29 cm | ||
| 300 | |a xi, 275 pages : |b illustrations (some college) ; |c 29 cm | ||
| 300 | |a xi, 275 pages : |b illustrations (some color) ; |c 29 cm | ||
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| 338 | |a volume |2 rdacarrier | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 239-262) and index | ||
| 504 | |a Includes bibliographical references (pages [239]-262) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 504 | |a Includes bibliographical references | ||
| 505 | 0 | 0 | |t Edge -- |t Parallax -- |t Weaving -- |t Lines -- |t Residues |
| 520 | |a "This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912-94), known as Gego. In locating the artist's contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the "edge of modernity." In situating Gego's work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego's work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego's radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy"-- |c Publisher's description | ||
| 520 | 8 | |a This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912-94), known as Gego. In locating the artist's contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the "edge of modernity." In situating Gego's work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego's work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego's radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy | |
| 520 | 8 | |a This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912-94), known as Gego. In locating the artist's contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the "edge of modernity." In situating Gego's work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego's work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego's radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy | |
| 520 | 8 | |a This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912?94), known as Gego. In locating the artist?s contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the ?edge of modernity.? In situating Gego?s work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego?s work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego?s radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy | |
| 520 | 8 | |a This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912?94), known as Gego. In locating the artist?s contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the ?edge of modernity.? In situating Gego?s work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego?s work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego?s radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy | |
| 520 | 8 | |a "This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912-94), known as Gego. In locating the artist's contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the "edge of modernity." In situating Gego's work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego's work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego's radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy"-- |c Publisher's description | |
| 520 | 8 | |a "This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912-94), known as Gego. In locating the artist's contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the "edge of modernity." In situating Gego's work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego's work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego's radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy"-- |c Publisher's description | |
| 590 | |a Athenaeum copy: Gift of the publisher | ||
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