The Furtwängler record /
The Furtwangler Record is an attempt to analyze and explain this phenomenon, a study of Furtwangler's subjective, compelling, and creative style of music-making. The introductory Part One is devoted to an overview of Furtwangler's place in the mainstream of the German school of conducting,...
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| Other Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
Portland, Or. :
Amadeus Press,
[1994], ©1994
Portland, Or. : c1994 Portland, Or. : ©1994 Portland, Or. : [1994] |
| Subjects: |
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| 100 | 1 | |a Ardoin, John |0 http://viaf.org/viaf/sourceID/LC|n81126808 | |
| 100 | 1 | |a Ardoin, John | |
| 245 | 1 | 4 | |a The Furtwängler record / |c by John Ardoin ; discography by John Hunt |
| 260 | |a Portland, Or. : |b Amadeus Press, |c [1994], ©1994 | ||
| 260 | |a Portland, Or. : |b Amadeus Press, |c c1994 | ||
| 260 | |a Portland, Or. : |b Amadeus Press, |c ©1994 | ||
| 263 | |a 9407 | ||
| 264 | 1 | |a Portland, Or. : |b Amadeus Press, |c [1994] | |
| 264 | 4 | |c ©1994 | |
| 300 | |a 376 p. : |b ill. ; |c 24 cm | ||
| 300 | |a 376 p., [12] p. of plates : |b ill. ; |c 24 cm | ||
| 300 | |a 376 pages, 12 unnumbered pages of plates : |b illustrations ; |c 24 cm | ||
| 300 | |a 376 pages, 12 unnumbered pages of plates ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 500 | |a "[Discography] is a concise, updated version of the fourth edition of The Furtwängler Sound (1992)." | ||
| 504 | |a Discography: p. 303-368 | ||
| 504 | |a Discography: p.[303]-368 | ||
| 504 | |a Discography: pages 303-368 | ||
| 504 | |a Includes bibliographical references (p. 299-301) and index | ||
| 504 | |a Includes bibliographical references (p. 299-391) and index | ||
| 504 | |a Includes bibliographical references (pages 299-301) and index | ||
| 505 | 0 | |a Part one. The musician and the man: The German school of conducting ; Pathway to the podium ; Furtwängler and Toscanini ; Furtwängler in perspective -- Part Two. The repertory: The Baroque era: Bach, Handel ; The Classical era: Gluck, Haydn, Mozart ; Beethoven ; The Romantic era: Cherubini, Weber, Rossini, Schubert, Berlioz, Mendelssohn, Schumann, Nicolai, Liszt, Verdi, Franck, Dvorǎk, Smetana, J. Strauss, Tchaikovsky, Grieg ; Wagner ; Bruckner and Brahms ; The post-romantic era: Mahler, Wolf, Debussy, R. Strauss, Glazunov, Sibelius, Pfitzner, Ravel, d'Albert, Furtwängler ; The modern era: Bartók, Stravinsky, Honegger, Castro, Hindemith, Pepping, Blacher, Fortner, Höller | |
| 520 | |a The Furtwangler Record is an attempt to analyze and explain this phenomenon, a study of Furtwangler's subjective, compelling, and creative style of music-making. The introductory Part One is devoted to an overview of Furtwangler's place in the mainstream of the German school of conducting, his career and personality, and the quality of his art. Part Two, the bulk of the book, consists of detailed, illuminating commentaries on each of his recorded performances | ||
| 520 | 1 | |a "The Furtwangler Record is an attempt to analyze and explain this phenomenon, a study of Furtwangler's subjective, compelling, and creative style of music-making. The introductory Part One is devoted to an overview of Furtwangler's place in the mainstream of the German school of conducting, his career and personality, and the quality of his art. Part Two, the bulk of the book, consists of detailed, illuminating commentaries on each of his recorded performances."--BOOK JACKET | |
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