Machiavelli : a portrait /
The man whose name is shorthand for all that is ugly in politics was more nuanced than his reputation suggests. Christopher Celenza's portrait of Machiavelli removes the varnish to reveal not just the hardnosed philosopher but the skilled diplomat, learned commentator on ancient history, comic...
Main Authors: | , |
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Corporate Author: | |
Format: | Book |
Language: | English |
Published: |
Cambridge, MA :
Harvard University Press,
[2015]
Cambridge, MA : [2015] Cambridge, Massachusetts : 2015 Cambridge, Massachusetts ; London, England : 2015 |
Edition: | Pilot project. eBook available to selected US libraries only |
Subjects: |
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245 | 1 | 0 | |a Machiavelli : |b a portrait / |c Christopher S. Celenza |
250 | |a Pilot project. eBook available to selected US libraries only | ||
264 | 1 | |a Cambridge, MA : |b Harvard University Press, |c [2015] | |
264 | 1 | |a Cambridge, MA : |b Harvard University Press, |c [2015] | |
264 | 1 | |a Cambridge, Massachusetts : |b Harvard University Press, |c 2015 | |
264 | 1 | |a Cambridge, Massachusetts ; |a London, England : |b Harvard University Press, |c 2015 | |
264 | 4 | |c ©2015 | |
300 | |a 1 online resource (240 p.) | ||
300 | |a 1 online resource (251 pages) | ||
300 | |a 1 online resource (256 p.) | ||
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500 | |a Description based upon print version of record | ||
504 | |a Includes bibliographical references and index | ||
505 | 0 | |a Renaissance, conspiracies, bonfires: Machiavelli's little-known youth -- Highs and lows : Machiavelli emerges -- Interlude : Machiavelli's letter -- The prince -- The discourses -- The comedy of life : letters and plays, wives and lovers -- History -- Ghosts | |
505 | 0 | 0 | |g 1 |t Renaissance, Conspiracies, Bonfires: Machiavelli's Little-Known Youth |g 4 -- |g 2 |t Highs and. Lows: Machiavelli Emerges |g 31 -- |g 3 |t Interlude; Machiavelli's Letter |g 57 -- |g 4 |t The Prince |g 65 -- |g 5 |t Conversing with the Ancients: The Discourses |g 102 -- |g 6 |t The Comedy of Life; Letters and Plays, Wives and Lovers |g 134 -- |g 7 |t History |g 160 -- |g 8 |t Ghosts |g 190 |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Prologue -- |t 1. Renaissance, Conspiracies, Bonfires -- |t 2. Highs and Lows -- |t 3. Interlude -- |t 4. The Prince -- |t 5. Conversing with the Ancients: Th e Discourses -- |t 6. The Comedy of Life: Letters and Plays, Wives and Lovers -- |t 7. History -- |t 8. Ghosts -- |t Notes -- |t Bibliography -- |t Acknowledgments -- |t Index |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Prologue -- |t 1. Renaissance, Conspiracies, Bonfires -- |t 2. Highs and Lows -- |t 3. Interlude -- |t 4. The Prince -- |t 5. Conversing with the Ancients: Th e Discourses -- |t 6. The Comedy of Life: Letters and Plays, Wives and Lovers -- |t 7. History -- |t 8. Ghosts -- |t Notes -- |t Bibliography -- |t Acknowledgments -- |t Index |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Prologue -- |t 1. Renaissance, Conspiracies, Bonfires -- |t 2. Highs and Lows -- |t 3. Interlude -- |t 4. The Prince -- |t 5. Conversing with the Ancients: Th e Discourses -- |t 6. The Comedy of Life: Letters and Plays, Wives and Lovers -- |t 7. History -- |t 8. Ghosts -- |t Notes -- |t Bibliography -- |t Acknowledgments -- |t Index |
506 | |a Restricted for use by site license | ||
520 | |a The man whose name is shorthand for all that is ugly in politics was more nuanced than his reputation suggests. Christopher Celenza's portrait of Machiavelli removes the varnish to reveal not just the hardnosed philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover | ||
520 | |a The man whose name is shorthand for all that is ugly in politics was more nuanced than his reputation suggests. Christopher Celenza’s portrait of Machiavelli removes the varnish to reveal not just the hardnosed philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover | ||
520 | |a "Machiavellian"--Used to describe the ruthless cunning of the power-obsessed and the pitiless - is never meant as a compliment. But the man whose name became shorthand for all that is ugly in politics was more engaging and nuanced than his reputation suggests. Christopher S. Celenza's Machiavelli: A Portrait removes the varnish of centuries to reveal not only the hardnosed political philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover. Machiavelli's hometown was the epicenter of the Italian Renaissance in the fifteenth century, a place of unparalleled artistic and intellectual attainments. But Florence was also riven by extraordinary violence. War and public executions were commonplace - Machiavelli himself was imprisoned and brutally tortured at the behest of his own government. These experiences left a deep impression on this keen observer of power politics, whose two masterpieces - The Prince and The Discourses - draw everywhere on the hard-won wisdom gained from navigating a treacherous world. But like many of Machiavelli's fellow Florentines, he also immersed himself in the Latin language and wisdom of authors from the classical past. And for all of Machiavelli's indifference to religion, vestiges of Christianity remained in his thought, especially the hope for a redeemer - a prince who would provide the stability so rare in Machiavelli's worldly experience | ||
538 | |a Mode of access: Internet via World Wide Web | ||
546 | |a English | ||
546 | |a In English | ||
588 | |a Description based on print version record | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020) | |
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | |
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed June 15 2015) | |
588 | 0 | |a Print version record | |
590 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries | ||
596 | |a 22 | ||
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