About Michael Baxandall /

A distinguished group of art historians reflect on the work of Michael Baxandall both in terms of its importance for their own formation, and its location in the development of a new art history on the one hand and the broader languages of and theories of contemporary cultural theory on the other

Bibliographic Details
Other Authors: Rifkin, Adrian
Format: Book
Language:English
Published: Oxford ; Malden, MA : Blackwell Publishers, 1999
Oxford ; Malden, MA : Blackwell, 1999
Oxford ; Malden, Mass. : 1999
Oxford ; Malden, MA : 1999
Subjects:
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504 |a Includes bibliographical references (p. 129-134) 
504 |a Includes bibliographical references (pages 129-134) 
504 |a Includes bibliographical references and index 
505 0 |a Patterns in the shadows / Michael Ann Holly -- Aspects of the critical reception and intellectual history of Baxandall's concept of the period eye / Allan Langdale -- Limewood, chiromancy and narratives of making, writing about the materials and processes of sculpture / Malcolm Baker -- Michael Baxandall and the shadows in Plato's Cave / Alex Potts -- Last words (Rilke, Wittgenstein ) ( Duchamp) / Molly Nesbit -- Women under the gaze / Paolo Berdini 
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520 |a A distinguished group of art historians reflect on the work of Michael Baxandall both in terms of its importance for their own formation, and its location in the development of a new art history on the one hand and the broader languages of and theories of contemporary cultural theory on the other 
520 |a In this volume a distinguished group of art historians reflect on the work of Michael Baxandall both in temps of its importance for their own formation and its location in the development of a new art history. The volume deploys the meaning of the word 'about' both as an adverb and a preposition to weave a tissue of readings through and around the writing of Baxandall. Working critically, analytically, and through analogy the essays rethink Baxandall's positions alongside those of Aby Warburg and Walter Benjamin, Marcel Duchamp and Donald Judd. Alternatively they historicize his thinking in a context of modern ethnographic, sociological and feminist methodologies, and concepts such as material culture or artistic production 
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