Righteous anger in contemporary Italian literary and cinematic narratives /
Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion- particularly indignation-and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surroun...
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| Corporate Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
Toronto :
University of Toronto Press,
[2020]
Toronto : [2020] Toronto ; Buffalo ; London : 2020 Toronto ; Buffalo ; London : [2020] |
| Series: | Toronto Italian studies
Toronto Italian studies |
| Subjects: |
Table of Contents:
- Pasolini's La rabbia and the Spectacularization of Scarpa's Posthuman Aesthetics
- An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader
- The Fundamental Things in Life According to Scarpa
- Melania Mazzucco's Un giorno perfetto: Domestic Violence on an Everyday Perfect Day
- Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini's Benzina
- A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino's The Consequences of Love
- Society, Simulacra, and Love: Simona Vinci's Stanza 411
- Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini's Sangue di Cane
- Pasolinis La rabbia and the Spectacularization of Scarpas Posthuman Aesthetics
- An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader
- The Fundamental Things in Life According to Scarpa
- Melania Mazzuccos Un giorno perfetto: Domestic Violence on an Everyday Perfect Day
- Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrinis Benzina
- A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentinos The Consequences of Love
- Society, Simulacra, and Love: Simona Vincis Stanza 411
- Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassinis Sangue di Cane
- Frontmatter
- Contents
- Acknowledgments
- Abbreviations
- Introduction
- Introduction
- 1. Pasolini's La rabbia and the Spectacularization of Scarpa's Posthuman Aesthetics
- 2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader
- 3. The Fundamental Things in Life According to Scarpa
- Introduction
- 4. Melania Mazzucco's Un giorno perfetto: Domestic Violence on an Everyday Perfect Day
- 5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini's Benzina
- Introduction
- 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino's The Consequences of Love
- 7. Society, Simulacra, and Love: Simona Vinci's Stanza 411
- 8. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini's Sangue di Cane
- Afterword
- Notes
- Works Cited
- Index
- Frontmatter
- Contents
- Acknowledgments
- Abbreviations
- Introduction
- Introduction
- 1. Pasolini's La rabbia and the Spectacularization of Scarpa's Posthuman Aesthetics
- 2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader
- 3. The Fundamental Things in Life According to Scarpa
- Introduction
- 4. Melania Mazzucco's Un giorno perfetto: Domestic Violence on an Everyday Perfect Day
- 5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini's Benzina
- Introduction
- 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino's The Consequences of Love
- 7. Society, Simulacra, and Love: Simona Vinci's Stanza 411
- 8. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini's Sangue di Cane
- Afterword
- Notes
- Works Cited
- Index