The artificial savage : modern myths of the wild man /
In the Artificial Savage: Modern Myths of the Wild Man, Roger Bartra seeks out, through the history of the myth of the wild man, the literary and artistic mutations that allows us to understand its continuing presence through the centuries
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| Corporate Authors: | , |
| Format: | Book |
| Language: | English Spanish |
| Published: |
Ann Arbor :
University of Michigan Press,
c1997
Ann Arbor [Mich.] : [1997], ©1997 Ann Arbor [Mich.] : c1997 Ann Arbor, Mich. : 1997 Ann Arbor, Mich. : c1997 Ann Arbor : [1997] |
| Subjects: |
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| 100 | 1 | |a Bartra, Roger |0 http://viaf.org/viaf/sourceID/LC|n81082806 | |
| 100 | 1 | |a Bartra, Roger |1 http://viaf.org/viaf/112453807 | |
| 100 | 1 | |a Bartra, Roger | |
| 240 | 1 | 0 | |a Salvaje artificial |l English |
| 240 | 1 | 0 | |a Salvaje artificial |l English. |
| 245 | 1 | 4 | |a The artificial savage : |b modern myths of the wild man / |c Roger Bartra ; translated by Christopher Follett |
| 260 | |a Ann Arbor : |b University of Michigan Press, |c c1997 | ||
| 260 | |a Ann Arbor [Mich.] : |b University of Michigan Press, |c [1997], ©1997 | ||
| 260 | |a Ann Arbor [Mich.] : |b University of Michigan Press, |c c1997 | ||
| 260 | |a Ann Arbor, Mich. : |b University of Michigan Press, |c 1997 | ||
| 260 | |a Ann Arbor, Mich. : |b University of Michigan Press, |c c1997 | ||
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [1997] | |
| 264 | 4 | |c ©1997 | |
| 300 | |a viii, 326 p. : |b ill ; |c 24 cm | ||
| 300 | |a viii, 326 p. : |b ill. ; |c 24 cm | ||
| 300 | |a viii, 326 pages : |b illustrations ; |c 24 cm | ||
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| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 291-314) and index | ||
| 504 | |a Includes bibliographical references (pages 291-314) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a 1. Sylvan Mutations -- 2. Wild Men or Demons? -- 3. The Dreams of Leviathan -- 4. The Cannibal in Disguise -- 5. The Wild Women of the Spanish Golden Age: Beautiful Monsters of Nature -- 6. Robinson Crusoe or the Repentant Savage -- 7. Hnuy Illa Nyha Maiah Yahoo: The Temptations of Gulliver -- 8. The Citizens of Nature -- 9. Birth and Death of the Romantic Savage | |
| 505 | 0 | 0 | |g 1 |t Sylvan Mutations -- |g 2. |t Wild Men or Demons? -- |g 3. |t The Dreams of Leviathan -- |g 4. |t The Cannibal in Disguise -- |g 5. |t The Wild Women of the Spanish Golden Age: Beautiful Monsters of Nature -- |g 6. |t Robinson Crusoe or the Repentant Savage -- |g 7. |t Hnuy Illa Nyha Maiah Yahoo: The Temptations of Gulliver -- |g 8. |t The Citizens of Nature -- |g 9. |t Birth and Death of the Romantic Savage. |
| 520 | |a In the Artificial Savage: Modern Myths of the Wild Man, Roger Bartra seeks out, through the history of the myth of the wild man, the literary and artistic mutations that allows us to understand its continuing presence through the centuries | ||
| 520 | 8 | |a By using both Bartra develops what he calls an evolutionist perspective capable of constructing a history of myths (or, perhaps, an anthropology of ideas) - one that helps us to understand the long sequences of events without losing sight of the presence of structures. The evolutionist approach goes beyond sequential narration but does not limit itself to the formal examination of mythological structures | |
| 520 | 8 | |a It focuses our attention on certain periods when transformations occur in the myth, and thus sheds light on moments of transition in Western culture. The Artificial Savage will prove useful for students and professors in history, anthropology, literary history and criticism, cultural studies, sociology, biological sciences, psychiatry, and psychology | |
| 520 | 8 | |a The Artificial Savage will prove useful for students and professors in history, anthropology, literary history and criticism, cultural studies, sociology, biological sciences, psychiatry, and psychology | |
| 520 | 8 | |a To account for the persistence of this myth, whether in the popular lyrics of the poets of the Reformation or in Spanish Renaissance humanism, Bartra combines two major currents of interpretation. On the one hand there is the history of ideas; on the other, a structuralist approach belonging to the anthropology of myth, which gives pride of place to the study of cultural textures | |
| 520 | 8 | |a To account for the persistence of this myth, whether in the popular lyrics of the poets of the Reformation or in Spanish Renaissance humanism, Bartra combines two major currents of interpretation. On the one hand there is the history of ideas; on the other, a structuralist approach belonging to the anthropology of myth, which gives pride of place to the study of cultural textures. By using both Bartra develops what he calls an evolutionist perspective capable of constructing a history of myths (or, perhaps, an anthropology of ideas) - one that helps us to understand the long sequences of events without losing sight of the presence of structures. The evolutionist approach goes beyond sequential narration but does not limit itself to the formal examination of mythological structures. It focuses our attention on certain periods when transformations occur in the myth, and thus sheds light on moments of transition in Western culture | |
| 590 | |a Acquired for the Penn Libraries with assistance from the Horace Howard Furness Memorial Fund | ||
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| 710 | 2 | |a Horace Howard Furness Memorial Fund |5 PU | |
| 710 | 2 | |a Horace Howard Furness Memorial Library (University of Pennsylvania) |5 PU | |
| 776 | 0 | 8 | |i Online version: |a Bartra, Roger |s Salvaje artificial. English. |t Artificial savage. |d Ann Arbor : University of Michigan Press, ©1997 |w (OCoLC)606004535 |
| 776 | 0 | 8 | |i Online version: |a Bartra, Roger |s Salvaje artificial. English. |t Artificial savage. |d Ann Arbor : University of Michigan Press, ©1997 |w (OCoLC)608988580 |
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