Puccini : his international art /

Foreword, by William AshbrookPreface to the English EditionNote on EditionsNote on the Musical ExamplesList of Abbreviations1. Dynasty of Composers2. Scapigliatura Interlude3. Manon Lescaut: Wagner and the Eighteenth Century4. La Boheme: The Poetic Reality5. Tosca: Rome between Faith and Power6. Mad...

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Bibliographic Details
Main Author: Girardi, Michele
Format: Book
Language:English
Italian
Published: Chicago : University of Chicago Press, 2000
Chicago : c2000
Chicago : 2000
Subjects:
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100 1 |a Girardi, Michele  |1 http://viaf.org/viaf/27409397 
100 1 |a Girardi, Michele 
240 1 0 |a Giacomo Puccini  |l English 
240 1 0 |a Giacomo Puccini  |l English. 
245 1 0 |a Puccini :  |b his international art /  |c Michele Girardi ; translated by Laura Basini 
260 |a Chicago :  |b University of Chicago Press,  |c 2000 
260 |a Chicago :  |b University of Chicago Press,  |c c2000 
264 1 |a Chicago :  |b University of Chicago Press,  |c 2000 
300 |a xvi, 530 p. :  |b ill. ;  |c 25 cm 
300 |a xvi, 530 p. :  |b ill., music ;  |c 25 cm 
300 |a xvi, 530 pages :  |b illustrations ;  |c 25 cm 
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500 |a Originally published as: Giacomo Puccini : l'arte internazionale di un musicista italiani. Venezia : Marsilio, c1995 
500 |a Originally published as: Giacomo Puccini : l'arte internazionale di un musicista italiani. Venezia : Marsilio, ©1995 
500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
504 |a Includes bibliographical references (p. 499-519) and index 
504 |a Includes bibliographical references (pages 499-519) and index 
505 0 0 |g 1  |t A dynasty of composers --  |g 2.  |t Scapigliatura interlude --  |g 3.  |t Manon Lescaut : Wagner and the eighteenth century --  |g 4.  |t La Bohéme : the poetic reality --  |g 5.  |t Tosca : Rome between faith and power --  |g 6.  |t Madama Butterfly : an exotic tragedy --  |g 7.  |t Puccini in the twentieth century --  |g 8.  |t Wars, à la operetta --  |g 9.  |t Experimental dramaturgy --  |g 10.  |t Turandot! 
505 0 0 |t Foreword /  |r William Ashbrook --  |g 1  |t A Dynasty of Composers --  |g 2.  |t Scapigliatura Interlude --  |g 3.  |t Manon Lescaut: Wagner and the Eighteenth Century --  |g 4.  |t La Boheme: The Poetic Reality --  |g 5.  |t Tosca: Rome between Faith and Power --  |g 6.  |t Madama Butterfly: An Exotic Tragedy --  |g 7.  |t Puccini in the Twentieth Century --  |g 8.  |t Wars, a la Operetta --  |g 9.  |t Experimental Dramaturgy --  |g 10.  |t Turandot! 
505 0 0 |t Foreword /  |r William Ashbrook --  |g 1  |t Dynasty of Composers --  |g 2.  |t Scapigliatura Interlude --  |g 3.  |t Manon Lescaut: Wagner and the Eighteenth Century --  |g 4.  |t La Boheme: The Poetic Reality --  |g 5.  |t Tosca: Rome between Faith and Power --  |g 6.  |t Madama Butterfly: An Exotic Tragedy --  |g 7.  |t Puccini in the Twentieth Century --  |g 8.  |t Wars, a la Operetta --  |g 9.  |t Experimental Dramaturgy --  |g 10.  |t Turandot! 
520 |a Foreword, by William AshbrookPreface to the English EditionNote on EditionsNote on the Musical ExamplesList of Abbreviations1. Dynasty of Composers2. Scapigliatura Interlude3. Manon Lescaut: Wagner and the Eighteenth Century4. La Boheme: The Poetic Reality5. Tosca: Rome between Faith and Power6. Madama Butterfly: An Exotic Tragedy7. Puccini in the Twentieth Century8. Wars, a la Operetta9. Experimental Dramaturgy10. Turandot!Catalog of WorksSelected BibliographyIndex 
520 1 |a "Girardi considers Puccini's musical and dramatic techniques together, demonstrating how his manipulation of dense networks of themes, sophisticated harmonic techniques, and masterly orchestrations work to arouse the audience's emotions 
520 1 |a "Girardi considers Puccini's musical and dramatic techniques together, demonstrating how his manipulation of dense networks of themes, sophisticated harmonic techniques, and masterly orchestrations work to arouse the audience's emotions. Girardi also discusses the question of Puccini's assimilation of influences from composers as diverse as Verdi, Wagner, Bizet, Richard Strauss, Debussy, and Stravinsky, showing how Puccini attempted to reconcile Italian techniques with those of European musical theater as a whole to make Italian opera a truly international art."--BOOK JACKET 
520 1 |a "Girardi considers Puccini's musical and dramatic techniques together, demonstrating how his manipulation of dense networks of themes, sophisticated harmonic techniques, and masterly orchestrations work to arouse the audience's emotions. Girardi also discusses the question of Puccini's assimilation of influences from composers as diverse as Verdi, Wagner, Bizet, Richard Strauss, Debussy, and Stravinsky, showing how Puccini attempted to reconcile Italian techniques with those of European musical theater as a whole to make Italian opera a truly international art."--Jacket 
520 8 |a Girardi also discusses the question of Puccini's assimilation of influences from composers as diverse as Verdi, Wagner, Bizet, Richard Strauss, Debussy, and Stravinsky, showing how Puccini attempted to reconcile Italian techniques with those of European musical theater as a whole to make Italian opera a truly international art."--BOOK JACKET 
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