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|a (OCoLC)881856358
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|a 12176406
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|b eng
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|d OCLCO
|d OCLCQ
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|a H7K
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|e rda
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|d OCLCO
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1 |
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|a ND339.A85
|b A4 2012
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|a ocn881856358
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100 |
1 |
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|a Asis, Antonio,
|d 1932-
|e artist
|4 http://id.loc.gov/vocabulary/relators/art
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1 |
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|a Asis, Antonio,
|d 1932-
|e artist
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245 |
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|a Un universo vibrante /
|c Antonio Asís ; [textos, Diana B. Wechsler ... [and others]]
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250 |
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|a Primera edición
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264 |
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1 |
|a Caseros [Argentina] :
|b Universidad Nacional de Tres de Febrero,
|c 2012
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300 |
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|a 187 pages :
|b illustrations (some color) ;
|c 30 cm
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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490 |
1 |
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|a Libros de arte Muntref/ Eduntref
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500 |
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|a Catalog of an exhibition held Mar. 22-June 10, 2012, at Museo de la Universidad de Tres de Febrero (Caseros, Argentina)
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|a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC
|5 CTY
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|a Presentación / Anibal Y. Jozami, Rector de la Universidad Nacional de Tres de Febrero -- El Universo de Asis / Diana B. Wechsler -- Antonio Asis en la Trama Parisina / Cristina Rossi -- Cronología Artístico-Biográfica -- Apéndice Documental
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520 |
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|a Catalog of Antonio Asis' (b. Argentina 1932), a "continuation of concrete proposals, is inscribed within the tradition of abstract art and displays his work alongside other contemporary artists that as himself, have looked for -among other things- to move the aesthetic irregularities of geometry, and thus disturb the site of the viewer. Graduated from the Escuela Nacional de Bellas Artes de Buenos Aires (Argentina), he attended since his formative years the emergence and controversy of the Movement of Concrete Art in Argentina. As a disciple of Hector Cartier, the artist capitalized this concrete experience, incorporated the resources of the theory of vision and the exploration of the possibilities of color and shapes, understood as part of his sensitive knowledge. Space and time are two dimensions that are the basis of Asis work, and somehow construct his visual universe. To see one of his works involves playing with it, move, travel in space for a few seconds. Perhaps this will allow to slightly feel the vibrations caused by the superimposition of frames, those he paints and those from the metal grids" (Our translation) --Verso Cover
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|a In Spanish
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1 |
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|a Asis, Antonio,
|d 1932-
|v Exhibitions
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|a Weschler, Diana B
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710 |
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|a Universidad Nacional de Tres de Febrero
|b Museo.
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0 |
|a Libros de arte Muntref/ Eduntref
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