Alonso Berruguete : first sculptor of Renaissance Spain /
"Alonso Berruguete (c. 1488-1561) revolutionized the arts of Renaissance Spain with a dramatic style of sculpture that reflected the decade or more he had spent in Italy while young. Trained as a painter, he traveled to Italy around 1506, where he interacted with Michelangelo and other leading...
| Main Authors: | , , , , |
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| Corporate Authors: | , |
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| Format: | Government Document Book |
| Language: | English |
| Published: |
Washington : Dallas : Madrid and New York : New Haven and London :
National Gallery of Art ; Meadows Museum, SMU ; Centro de Estudios Europa Hispánica/Center for Spain in America ; Yale University Press,
2019
Washington : Dallas : Madrid and New York : New Haven and London : National Gallery of Art ; Meadows Museum, SMU ; Centro de Estudios Europa Hispánica/Center for Spain in America ; Yale University Press, 2019 |
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| 100 | 1 | |a Dickerson, C. D., |c III |q (Claude Douglas), |e author | |
| 245 | 1 | 0 | |a Alonso Berruguete : |b first sculptor of Renaissance Spain / |c C.D. Dickerson III and Mark McDonald, with Manuel Arias Martínez [and five others] |
| 246 | 3 | 0 | |a First sculptor of Renaissance Spain |
| 264 | 1 | |a Washington : |b National Gallery of Art ; |a Dallas : |b Meadows Museum, SMU ; |a Madrid and New York : |b Centro de Estudios Europa Hispánica/Center for Spain in America ; |a New Haven and London : |b Yale University Press, |c 2019 | |
| 264 | 1 | |a Washington : |b National Gallery of Art ; |a Dallas : |b Meadows Museum, SMU ; |a Madrid and New York : |b Centro de Estudios Europa Hispánica/Center for Spain in America ; |a New Haven and London : |b Yale University Press, |c 2019 | |
| 264 | 4 | |c ©2019 | |
| 300 | |a xiv, 229 pages : |b illustrations (chiefly color) ; |c 31 cm | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Exhibition dates: National Gallery of Art, Washington: October 13, 2019 - February 17, 2020, and the Meadows Museum, SMU, Dallas: March 29 - July 26, 2020 | ||
| 504 | |a Includes bibliographical references (pages 211-221) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | 0 | |t Beginnings in Castile / |r C. D. Dickerson III -- |t The experience of Italy / |r C. D. Dickerson III -- |t Return to Spain, Pintor del Rey, and learning to sculpt / |r C. D. Dickerson III -- |t The quest for status and wealth / |r Richard L. Kagan -- |t Becoming a draftsman and the primary of drawing / |r Mark McDonald -- |t Master of the Retablo / |r Manuel Arias Martínez -- |t Technique and the mechanics of the workshop / |r Daphne Barbour -- |t The role of prints / |r Mark McDonald -- |t Transforming the choir of Toledo cathedral / |r Wendy Sepponen -- |t A final commission and death / |r Julia M. Vázquez -- |t Charting a critical legacy between myth and reality / |r Manuel Arias Martínez -- |t Catalog of drawings by Berruguete and his workshop / |r Mark McDonald |
| 520 | |a "Alonso Berruguete (c. 1488-1561) revolutionized the arts of Renaissance Spain with a dramatic style of sculpture that reflected the decade or more he had spent in Italy while young. Trained as a painter, he traveled to Italy around 1506, where he interacted with Michelangelo and other leading artists. In 1518, he returned to Spain and was appointed court painter to the new king, Charles I. Eventually, he made his way to Valladolid, where he shifted his focus to sculpture, opening a large workshop that produced breathtaking multistory altarpieces (retablos) decorated with sculptures in painted wood. This handsomely illustrated catalogue is the first in English to treat Berruguete's art and career comprehensively. It follows his career from his beginnings in Castile to his final years in Toledo, where he produced his last great work, the marble tomb of Cardinal Juan de Tavera. Enriching the chronological narrative are discussions of important aspects of Berruguete's life and practice: his complicated relationship with social status and wealth; his activity as a draftsman and use of prints; how he worked with his many assistants to create his wood sculptures; and his legacy as an artist"-- |c Provided by publisher | ||
| 520 | |a "Alonso Berruguete (c. 1488-1561) revolutionized the arts of Renaissance Spain with a dramatic style of sculpture that reflected the decade or more he had spent in Italy while young. Trained as a painter, he traveled to Italy around 1506, where he interacted with Michelangelo and other leading artists. In 1518, he returned to Spain and was appointed court painter to the new king, Charles I. Eventually, he made his way to Valladolid, where he shifted his focus to sculpture, opening a large workshop that produced breathtaking multistory altarpieces (retablos) decorated with sculptures in painted wood. This handsomely illustrated catalogue is the first in English to treat Berruguete's art and career comprehensively. It follows his career from his beginnings in Castile to his final years in Toledo, where he produced his last great work, the marble tomb of Cardinal Juan de Tavera. Enriching the chronological narrative are discussions of important aspects of Berruguete's life and practice: his complicated relationship with social status and wealth; his activity as a draftsman and use of prints; how he worked with his many assistants to create his wood sculptures; and his legacy as an artist"--Provided by publisher | ||
| 541 | |3 Eisenhower copy: |c Purchased with funds from the |a Edward and Hildegarde Schaefer Endowment for the Humanities; |d FY2020 |5 MdBJ. | ||
| 542 | |c Board of Trustees, National Gallery of Art and the Meadows Museum, SMU |f Compilation copyright |g 2019 | ||
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