Warped minds : cinema and psychopathology /
Warped Minds: Cinema and Psychopathology explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. The author argues that the ontological approach to psychopathology opens up a number...
| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
[2014], ©2014
Amsterdam : c2014 Amsterdam : [2014] |
| Series: | Film culture in transition
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| Subjects: |
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| 245 | 1 | 0 | |a Warped minds : |b cinema and psychopathology / |c Temenuga Trifonova |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c [2014], ©2014 | ||
| 260 | |a Amsterdam : |b Amsterdam University Press, |c c2014 | ||
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 283 p. ; |c 24 cm | ||
| 300 | |a 283 pages ; |c 24 cm | ||
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| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references (p. [267]-274), filmography (p. [275]-279) and index | ||
| 504 | |a Includes bibliographical references (pages 267-274), filmography (pages 275-279) and index | ||
| 504 | |a Includes bibliographical references, filmography (p. [275]-279) and index | ||
| 504 | |a Includes bibliographical references, filmography (pages 275-279) and index | ||
| 504 | |a Includes bibliographical references, filmography (pages [275]-279) and index | ||
| 505 | 0 | |a The story of attention: toward a dynamic model of the self -- Photography and the construction of psychopathology at the Fin de siècle -- Cinema and psychoanalysis -- Multiple personality and the Hollywood 'multiple' film -- Paranoia and the geopolitical conspiracy thriller | |
| 505 | 0 | 0 | |g 1 |t Story of Attention: Toward a Dynamic Model of the Self -- |g 2. |t Photography and the Construction of Psychopathology at the Fin de Siecle -- |g 3. |t Cinema and Psychoanalysis -- |g 4. |t Multiple Personality and the Hollywood `Multiple' Film -- |g 5. |t Paranoia and the Geopolitical Conspiracy Thriller. |
| 505 | 0 | 0 | |g 1 |t The Story of Attention: Toward a Dynamic Model of the Self |g 43 -- |g 2 |t Photography and the Construction of Psychopathology at the Fin de Siècle |g 69 -- |g 3 |t Cinema and Psychoanalysis |g 105 -- |g 4 |t Multiple Personality and the Hollywood 'Multiple' Film |g 151 -- |g 5 |t Paranoia and the Geopolitical Conspiracy Thriller |g 207 |
| 520 | |a Warped Minds: Cinema and Psychopathology explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. The author argues that the ontological approach to psychopathology opens up a number of aporias and promotes a therapeutic model of psychopathology with its own ideological function. The major points in this intellectual history considered by the author include: the development of a dynamic model of the self at the fin de siècle; the role of photography and film in the construction of psychopathology; the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms, which constructed madness in terms of fixed states, to increasingly dynamic styles of psychiatry foregrounding the socially constructed nature of madness; the decline of psychoanalysis; and the 'aestheticization' of madness into a trope describing the conditions of knowledge in postmodernity, as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena. Book jacket | ||
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