The reel Shakespeare : alternative cinema and theory /

The reel Shakespeare : alternative cinema and theory /

Bibliographic Details
Corporate Author: Horace Howard Furness Memorial Library (University of Pennsylvania)
Other Authors: Lehmann, Courtney, 1969-, Starks, Lisa S., 1960-, Starks-Estes, Lisa S., 1960-
Format: Book
Language:English
Published: Madison [N.J.] : London : Fairleigh Dickinson University Press ; Associated University Presses, c2002
Madison [N.J.] : London : ©2002
Madison [N.J.] : London ; Cranbury, N.J. : [2002], ©2002
Madison [N.J.] : London ; Cranbury, N.J. : c2002
Madison [N.J.] : London ; Cranbury, N.J. : [2002]
Subjects:
Shakespeare, William, > 1564-1616 > Film adaptations
Shakespeare, William, > 1564-1616 > Film and video adaptations
Shakespeare, William, > 1564-1616
English drama > Film adaptations
English drama > Film and video adaptations
Film adaptations > History and criticism
Film adaptations
English drama
Video adaptations
Criticism, interpretation, etc
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245 0 4 |a The reel Shakespeare :  |b alternative cinema and theory /  |c edited by Lisa S. Starks and Courtney Lehmann 
260 |a Madison [N.J.] :  |b Fairleigh Dickinson University Press ;  |a London :  |b Associated University Presses,  |c c2002 
260 |a Madison [N.J.] :  |b Fairleigh Dickinson University Press ;  |a London :  |b Associated University Presses,  |c ©2002 
260 |a Madison [N.J.] :  |b Fairleigh Dickinson University Press ;  |a London ;  |a Cranbury, N.J. :  |b Associated University Presses,  |c [2002], ©2002 
260 |a Madison [N.J.] :  |b Fairleigh Dickinson University Press ;  |a London ;  |a Cranbury, N.J. :  |b Associated University Presses,  |c c2002 
264 1 |a Madison [N.J.] :  |b Fairleigh Dickinson University Press ;  |a London ;  |a Cranbury, N.J. :  |b Associated University Presses,  |c [2002] 
264 4 |c ©2002 
300 |a 298 p. ;  |c 25 cm 
300 |a 298 pages ;  |c 25 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
500 |a Table of contents http://www.loc.gov/catdir/toc/fy035/2002024135.html 
500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
504 |a Includes bibliographical references (p. 229-287) and index 
504 |a Includes bibliographical references and index 
505 0 |a Images of the "reel: Shakespeare and the art of cinema / Lisa S. Starks and Courtney Lehmann -- Hamlet in silence: reinventing the prince on celluloid / Kenneth S. Rothwell -- "Two of both kinds": modernism and patriarchy in Peter Hall's A midsummer night's dream / Peter S. Donaldson -- Cinema hysterica passio: voice and gaze in Jean-Luc Godard's King Lear / Alan Walworth -- The incorporation of word as image in Peter Greenaway's Prospero's books / Lia M. Hotchkiss -- Cinema of cruelty: powers of horror in Julie Taymor's Titus / Lisa S. Starks -- Untimely ripped: mediating witchcraft in Polanski and Shakespeare / Bryan Reynolds -- Utopian revisioning of Falstaff's tavern world: Orson Welles's Chimes at midnight and Gus Van Sant's My own private Idaho / Kathy M. Howlett -- Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom / Douglas E. Green -- The screening of the shrews: teaching (against) Shakespeare's author function / John Brett Mischo -- The reel Shakespeare: a selective bibliography of criticism / Jose Ramón Diaz-Fernandez 
505 0 |a Images of the "reel: Shakespeare and the art of cinema / Lisa S. Starks and Courtney Lehmann -- Hamlet in silence: reinventing the prince on celluloid / Kenneth S. Rothwell -- "Two of both kinds": modernism and patriarchy in Peter Hall's A midsummer night's dream / Peter S. Donaldson -- Cinema hysterica passio: voice and gaze in Jean-Luc Godard's King Lear / Alan Walworth -- The incorporation of word as image in Peter Greenaway's Prospero's books / Lia M. Hotchkiss -- Cinema of cruelty: powers of horror in Julie Taymor's Titus / Lisa S. Starks -- Untimely ripped: mediating witchcraft in Polanski and Shakespeare / Bryan Reynolds -- Utopian revisioning of Falstaff's tavern world: Orson Welles's Chimes at midnight and Gus Van Sant's My own private Idaho / Kathy M. Howlett -- Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom / Douglas E. Green -- The screening of the shrews: teaching (against) Shakespeare's author function / John Brett Mischo -- The reel Shakespeare: a selective bibliography of criticism / Jose Ramón Diaz-Fernandez 
505 0 0 |t Introduction: Images of the "Reel": Shakespeare and the Art of Cinema /  |r Lisa S. Starks and Courtney Lehmann --  |g Pt. I  |t Art of Film: Shakespeare and Early Cinema --  |t Hamlet in Silence: Reinventing the Prince on Celluloid /  |r Kenneth S. Rothwell --  |g Pt. II.  |t Film of Art: Shakespeare and Avant-Garde Cinema --  |t "Two of Both Kinds": Modernism and Patriarchy in Peter Hall's A Midsummer Night's Dream /  |r Peter S. Donaldson --  |t Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard's King Lear /  |r Alan Walworth --  |t The Incorporation of Word as Image in Peter Greenaway's Prospero's Books /  |r Lia M. Hotchkiss --  |g Pt. III.  |t Film on the Edge: Shakespeare and Countercinema --  |t Cinema of Cruelty: Powers of Horror in Julie Taymor's Titus /  |r Lisa S. Starks --  |t Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare /  |r Bryan Reynolds --  |t Utopian Revisioning of Falstaff's Tavern World: Orson Welles's Chimes at Midnight and Gus Van Sant's My Own Private Idaho /  |r Kathy M. Howlett --  |g Pt. IV.  |t Film in the Alternative Classroom: Shakespeare and Radical Pedagogy --  |t Shakespeare, Branagh, and the "Queer Traitor": Close Encounters in the Shakespearean Classroom /  |r Douglas E. Green --  |t The Screening of the Shrews: Teaching (against) Shakespeare's Author Function /  |r John Brett Mischo --  |t The Reel Shakespeare: A Selective Bibliography of Criticism /  |r Jose Ramon Diaz-Fernandez. 
505 0 0 |t Introduction: Images of the "Reel": Shakespeare and the Art of Cinema /  |r Lisa S. Starks and Courtney Lehmann --  |g Pt. I  |t Art of Film: Shakespeare and Early Cinema.  |t Hamlet in Silence: Reinventing the Prince on Celluloid /  |r Kenneth S. Rothwell --  |g Pt. II.  |t Film of Art: Shakespeare and Avant-Garde Cinema.  |t "Two of Both Kinds": Modernism and Patriarchy in Peter Hall's A Midsummer Night's Dream /  |r Peter S. Donaldson.  |t Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard's King Lear /  |r Alan Walworth.  |t The Incorporation of Word as Image in Peter Greenaway's Prospero's Books /  |r Lia M. Hotchkiss --  |g Pt. III.  |t Film on the Edge: Shakespeare and Countercinema.  |t Cinema of Cruelty: Powers of Horror in Julie Taymor's Titus /  |r Lisa S. Starks.  |t Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare /  |r Bryan Reynolds.  |t Utopian Revisioning of Falstaff's Tavern World: Orson Welles's Chimes at Midnight and Gus Van Sant's My Own Private Idaho /  |r Kathy M. Howlett -- 
505 8 0 |g Pt. IV  |t Film in the Alternative Classroom: Shakespeare and Radical Pedagogy.  |t Shakespeare, Branagh, and the "Queer Traitor": Close Encounters in the Shakespearean Classroom /  |r Douglas E. Green.  |t The Screening of the Shrews: Teaching (against) Shakespeare's Author Function /  |r John Brett Mischo.  |t The Reel Shakespeare: A Selective Bibliography of Criticism /  |r Jose Ramon Diaz-Fernandez. 
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